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Every snare hit, every slide riff, every vocal inflection pops from the speakers with life and dimension.A cornerstone of '70s rock and funk, Dixie Chicken finally gets the deluxe, audiophile treatment it deserves.The album where Little Feat came into full bloom!Part of the Acoustic Sounds 40 SeriesReleasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds!Mastered by Matthew Lutthans at The Mastering Lab from the original master tape180-gram 45 RPM double LP pressed at Quality Record PressingsHoused in a Stoughton Printing tip-on gatefold jacketTracklist:LP 1 Side A1. Dixie Chicken2. Two Trains3. Roll Um EasyLP 1 Side B1. On Your Way Down2. Kiss It OffLP 2 Side A1. Fool Yourself2. Walkin' All Night3. Fat Man In The BathtubLP 2 Side B1. Juliette2. 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Effortless, melodic, and irresistibly smooth, Breezin' became the soundtrack to an era and the album that launched Benson into crossover superstardom.With timeless hits such as 'This Masquerade' and the sunlit title track, Breezin', Benson's 15th album, bridges the worlds of jazz, pop, and R\u0026amp;B with rare grace. It not only was a Billboard Jazz Albums chart-topper but also went to No. 1 on the pop and R\u0026amp;B charts. It was certified triple platinum-selling, making it one of the best-selling jazz albums of all time.The record took home Grammy Awards for Best Pop Instrumental Performance and Record of the Year for 'This Masquerade,' while earning multiple nominations, including for Album and Song of the Year - an unprecedented feat for a jazz guitarist.Now, this classic shines brighter than ever. 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Musically, Lapell was looking for a stark, acoustic sound, as opposed to 2024's Juno Award-nominated Anniversary (recorded in Niagara with Great Lake Swimmers' Tony Dekker) and 2022's acclaimed Stolen Time (recorded in Montreal with Howard Bilerman, featuring E Street Band saxophonist Jake Clemons).Lapell's road to motherhood was fraught, involving years of IVF and a 2023 miscarriage \" that she experienced on stage while on tour. (She finished her set.) Her son was born in November 2024. The song cycle of Shadow Child covers joy and loss, using metaphors from Maritime tragedy, little cannibals,? reproductive health, acquiring language, and lives altered by the arrival of a newborn. The title track refers to ultrasound imaging of a liminal person that doesn't quite exist yet,? says Lapell. Their status is ontologically blurry.?Shadow Child arrives May 8 \" Mother's Day weekend - on CD, Digital, and Lavender vinyl LP. Singles Hazel,? 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Dinah Shore was one of the USA's most popular and successful entertainers, her peak recording career spanning the war years and the immediate post-war decades, when she also became a high-profile TV host with her own weekly Chevrolet-sponsored show, which more or less defined the USA in the 1950s. She was one of the very first female singers to come to prominence purely as a solo artist, rather than as a big band singer, and was such a prolific chart performer that, having had her first hit in 1939, she had racked up more than 50 hits by the end of the '40s, including memorable No.1s like \"I'll Walk Alone\", \"Anniversary Song\", \"The Gypsy\" and \"Buttons And Bows\". She continued scoring hits through what was often called the \"Golden age of popular music\" in the early '50s, scoring her final chart entry in 1960, by which time the rock 'n' roll and teen revolution had largely superseded artists of her generation. This fantastic 15 track LP provides a great introduction to Shore's prolific success by featuring the recordings which brought her greatest popularity. On top of her huge hits already mentioned, it also includes \"Candy\", \"Dear Hearts \u0026amp; Gentle People\", \"Baby It's Cold Outside\" and \"Sweet Violets\", all showcasing her distinctive style and talent and provides an entertaining and nostalgic celebration of an artist who was such a glamorous icon of her era.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'll Walk Alone\u003c\/li\u003e\n\u003cli\u003eCandy\u003c\/li\u003e\n\u003cli\u003eLaughing on the Outside (Crying on the Inside)\u003c\/li\u003e\n\u003cli\u003eGypsy\u003c\/li\u003e\n\u003cli\u003eDoin' What Comes Natur'lly\u003c\/li\u003e\n\u003cli\u003e(I Love You) For Sentimental Reasons\u003c\/li\u003e\n\u003cli\u003eAnniversary Song\u003c\/li\u003e\n\u003cli\u003eI Wish I Didn't Love You So\u003c\/li\u003e\n\u003cli\u003eYou Do\u003c\/li\u003e\n\u003cli\u003eButtons and Bows\u003c\/li\u003e\n\u003cli\u003eBaby It's Cold Outside\u003c\/li\u003e\n\u003cli\u003eDear Hearts ; Gentle People\u003c\/li\u003e\n\u003cli\u003eMy Heart Cries for You\u003c\/li\u003e\n\u003cli\u003eSweet Violets\u003c\/li\u003e\n\u003cli\u003eDelicado\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 824046168421\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Acrobat\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.8.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Squatch in the Pit","offers":[{"title":"Default Title","offer_id":47384801706237,"sku":"824046168421","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0337\/6889\/8692\/files\/4414400-3391186.jpg?v=1776177292"},{"product_id":"preorder-hungarian-national-philharmonic-orchestra-charles-silver-la-belle-au-bois-dormant-cd","title":"Hungarian National Philharmonic Orchestra - Charles Silver: La Belle Au Bois Dormant [CD]","description":"\u003cp\u003eLargely forgotten today, the composer Charles Silver was one of the most promising students of Jules Massenet, whose elegant style and effective dramatic gestures he fully mastered. His opera La Belle au bois dormant (Sleeping Beauty), based on Perrault's tale, testifies to these skills with it's colourful, lively and surprisingly modern music: the influence of Puccini is evident. The libretto enriches the original story with delightful comic touches from the characters of Jacotte and Barnabe, who provide a light-hearted counterpoint to the fairytale plot. Although it enjoyed a successful first run in Marseille in 1902, the opera unfortunately never received a Parisian premiere, which hindered it's wider dissemination despite an acclaimed revival at the Theâtre de la Monnaie in Brussels. Accessible, refined and treating a universal theme, this score deserves a second chance that just might - who knows? - earn it a place on the international operatic stage.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBelle Au Bois Dormant-Prologue. Introduction\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Prologue. Premier Tableau - Le Baptême. Marche Du Baptême\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Prologue. Premier Tableau - Le Baptême. Scène: Vous, Dont Le Dévouement\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Prologue. Premier Tableau - Le Baptême. Scène Et Entrée Des Fées: Pour Mieux Réaliser L'espoir\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Prologue. Premier Tableau - Le Baptême. Scène Des Dons: A Ton Appel Qui Nous Convie\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Prologue. Premier Tableau - Le Baptême. Entrée D'urgèle: Ah! la Fée Urgèle!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Prélude\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Chour: Vos Beaux Yeux Restent Voilés\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Scène: Dame Gudule, Avec Sa Robe de Damas\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Air Du Page: Il Part Où L'honneur L'appelle\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Scène: Ces Pages Ont Vraiment Un Aplomb\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Scène: Toujours Pensive\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Divertissement: Allons, Princesse, Éveillez-Vous!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Scène: Qui Donc Vient A Cette Heure\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Entrée Du Chevalier: O Roi, Salut!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Air Du Jardin: Quelle Force Inconnue\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Duo Du Jardin: de Quelle Puissance Étrange\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Duo Du Jardin - Suite: Que Fait Un Prince?\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Duo Du Jardin - Suite: L'amour!... Que Dit L'amour?\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Duo Du Jardin - Suite: Quelquefois, Dans Mon me\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Malédiction D'urgèle: Ah! Qu'ai-Je Donc?\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte I. Deuxième Tableau - Le Sommeil D'aurore. Scène Du Sommeil: Rassurez-Vous, Ce N'est Point Le Trép\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Entracte (La Chasse)\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Scène: Amis, Buvons Encore!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Ronde: Ah!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Scène: La Belle Fille Aux Yeux Futés\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Entrée Du Prince: Chut!... Écoutez!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Scène: Il Veut Rire!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Arioso: Personne N'y Pénètre!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Scène: Comment Savoir?\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Scène: Oh! Une Sorcière!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Scène: Quel Moyen Imaginer\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Duo: C'est Moi. Vas-Tu Rester Dans la Cour?\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Scène: Je Ne Puis Vaincre Ma Pensée!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Apparition: Viens, Je Suis la Jeunesse\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Scène: Prince, Voici L'heure\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte II. Troisieme Tableau - Cent Ans Révolus. Scène: Barnabé! Barnabé!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte III. Quatrième Tableau - la Caverne D'urgèle. Prélude Et Air: A Moi Lutins\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte III. Quatrième Tableau - la Caverne D'urgèle. Scène: C'est Ici Que Sommeille\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte III. Quatrième Tableau - la Caverne D'urgèle. Pantomime: Le Feu Ne Brille Plus!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte III. Cinquième Tableau - la Grotte D'azur. Ballet Général\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte III. Sixième Tableau - la Forêt Enchantée. Scène: Les Routes Devant Moi\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte III. Sixième Tableau - la Forêt Enchantée. Scène: Ce Rustaud Est L'instrument\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte III. Sixième Tableau - la Forêt Enchantée. Scène: Je Vais Donc Écarter Le Voile Du Mystère!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte IV. Septième Tableau - la Belle Au Bois Dormant. Prélude\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte IV. Septième Tableau - la Belle Au Bois Dormant. Chour: C'est Ici Que Sommeille\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte IV. Septième Tableau - la Belle Au Bois Dormant. Air: Quel Calme Autour de Moi!\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte IV. Huitième Tableau - Le Réveil ; Neuvième Tableau - Les Fées (Apothéose). Réveil: Qu'ai-Je Do\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte IV. Huitième Tableau - Le Réveil ; Neuvième Tableau - Les Fées (Apothéose). Duo: Quand Cette Ét\u003c\/li\u003e\n\u003cli\u003eBelle Au Bois Dormant-Acte IV. Huitième Tableau - Le Réveil ; Neuvième Tableau - Les Fées (Apothéose). 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I AM NOT LAMBERT is classic Lambert, indicative of the inventive versatility that, for a dozen years, has earned praise for this Berlin-based pianist, composer and producer. I AM NOT LAMBERT is also very different, his first to feature significant vocals. \"My music has always been song-oriented,\" he says. \"It felt natural to see if this works as well as I believed it would. Songs are a big part of what I listen to, so music like this is just me being... I don't know... honest?\" In fact, I AM NOT LAMBERT begins with Lambert singing in sometimes Vocodered tongues amid 'Spirit's gentle flutters. Australian Kat Frankie lends hushed tones to the gossamer 'So Unkind', and old friend Dekker layers harmonies over 'The Sum's soulful poise until moved to Prince-like testimony. There's also Goodwin (Rob of The Slow Show), whose weathered croon on the devastating 'Hurts Like You' unconsciously rekindles the spirit of Lambchop's Is A Woman. But none of these three is Lambert. Nor are regular cohorts Daniel Schaub (guitars, bass, drums), Marie-Claire Schlameus (cello) and Ralph Heidel (saxophone, clarinet, flute). Adding soft-hued shading to tracks like the poignant 'All At Once', Heidel is also featured on the suave 'The Garage', while Schlameus plays a prominent role on 'Parthenope', it's piano's top line inspired by Paolo Sorrentino's film, it's lower notes ticking like clockwork.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4250795610427\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Clouds Hill\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.8.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Squatch in the Pit","offers":[{"title":"Default Title","offer_id":47384802722045,"sku":"4250795610427","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0337\/6889\/8692\/files\/4491195-3536476.jpg?v=1776177304"},{"product_id":"preorder-leo-warynski-singing-ravel-live-cd","title":"Leo Warynski - Singing Ravel (Live) [CD]","description":"\u003cp\u003e2026 release.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3770005527853\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e B. 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Conceived on an epic scale in four movements, Schubert's Sonata in B flat major was written shortly before his death in 1828, while in 1909 Alban Berg ushered in Modernism with his opus 1, the compact, haunting Piano Sonata in B minor. \"Schubert was only thirty when he died,\" writes Fazil Say. \"There is unique depth of sorrow and melancholy here, the pain of parting from this world. At the same time, we feel Schubert's joy of life, his vitality, his attachment, his passion, even his defiance.\" While the Schubert sonata is a recent addition to Say's repertoire, he explains that \"I first encountered Alban Berg's piano sonata at the age of 15, and I performed it as a student in Ankara... he became one of the main figures who opened the door for me to contemporary music... His opus 1, while anchored in B minor, sails boldly toward atonality and modern expression... The piano is used almost orchestrally, full of colour and intensity. 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Max Bruch, a pillar of German Romanticism, and Alexandre Tansman, a cosmopolitan Polish composer who spent much of his life in France, share a gift for melody and expressive nuance.Hagner, joined by the Poznan Philharmonic Orchestra under conductor Lukasz Borowicz, offers radiant performances of Bruch's Konzertstuck and the beloved Kol Nidrei, alongside Tansman's rarely heard Violin Concerto and Cinq Pieces pour violon et petit orchestre. Recorded in July 2025 at the Poznan Philharmonic Hall, the album highlights the rich cultural threads linking German and Polish musical traditions, as well as the composers' shared appreciation for their Jewish heritage.With her luminous tone and keen musical insight, Viviane Hagner brings these works to life with both emotional depth and precision. 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There are perhaps few characters in the history of popular music who were as mysterious, as they were brazen than Aleck Ford, AKA Sonny Boy Williamson II. The true story of Sonny Boy Williamson II remains shrouded in mystery and uncertainty, and it seems this was Ford's intention, but to what ends, nobody can say. One thing is certain though - he was one of the all-time greats of the harmonica, a bone fide bluesman, talented and charismatic in equal measure. His influence cannot be overstated. The first incarnation of the band that would become the Rolling Stones was named after him: Little Boy Blue and the Blue Boys; B.B King described him as \"the King of the harmonica\"; and maybe there would have been no Howlin' Wolf, or Elmore James without Williamson's mentorship and support. The British Blues explosion of the late 1960s certainly owed much to Williamson and his compatriots. 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Aficionados of Doo-wop will have long been acquainted with the heavenly harmonies of Johnny Maestro and The Crests, and yet this sublime group has often been overlooked in retrospectives of the genre. Ground-breaking from the very start, this was the first racially-mixed group to hit the big time. Their hits included uptempo pop songs, to dreamily-rendered love ballads, and they enjoyed significant success in the late 1950s and early 1960s. However, theirs is a story of a band ahead of it's time, in a country that was much divided in terms of race and ethnicity, and it was this that ultimately led to it's demise. This stunning collection showcases the talents of Johnny Maestro and The Crests; classic songs, effortless harmonies, possessing a rare timeless quality that still sound fresh today. 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On the Friday night that concert featured Tian Jin (a song and dance troupe from China), Simple Minds and, with a ‘special festival set of non-album material’, Peter Gabriel.\u003c\/p\u003e\u003cp\u003eLive at WOMAD 1982 is a recording of that Friday night concert. The non-album material in question are seven of the eight songs that would make up the album Peter Gabriel 4. An album that wouldn’t be released for a further two months.\u003c\/p\u003e\u003cp\u003eOn-stage, Peter is joined by David Rhodes (guitar), John Giblin (bass), Larry Fast (synthesisers). 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Yet this quiet, unassuming housewife and mother with a passion for country music and one of the longest and most lovingly stable marriages in the business, championed the downtrodden woman through her music, inciting controversy along the way. She proved the male-centred country music establishment wrong by headlining her own shows, and selling millions of records in a career spanning over fifty years. Wells opened the door for female country artists like Dolly Parton, Loretta Lynn, Tammy Wynette, Patsy Cline, and Reba McEntire. Parton said of Wells, \"Kitty Wells was the first and only Queen of country music, no matter what they call the rest of us\". Lynn stated, \"If I had never heard of Kitty Wells, I don't think I would have been a singer myself\". For McEntire, Wells was quite simply her \"hero\". 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With the dream ‘not to sprinkle world music around a rock festival, but to prove that these great artists could be headliners in their own right’, the three days and five stages played host to 60 bands from over 20 countries; a line-up that included The Drummers of Burundi, Pigbag, Salsa de Hoy, Simple Minds, Musicians of the Nile, Echo and the Bunnymen, Prince Nico Mbarga, Rip, Rig and Panic, The Beat and many more…\u003c\/p\u003e\u003cp\u003e“I remember this gig well,” says Peter Gabriel. “We played a mix of old and brand-new material. 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On the Friday night that concert featured Tian Jin (a song and dance troupe from China), Simple Minds and, with a ‘special festival set of non-album material’, Peter Gabriel.\u003c\/p\u003e\u003cp\u003eLive at WOMAD 1982 is a recording of that Friday night concert. The non-album material in question are seven of the eight songs that would make up the album Peter Gabriel 4. An album that wouldn’t be released for a further two months.\u003c\/p\u003e\u003cp\u003eOn-stage, Peter is joined by David Rhodes (guitar), John Giblin (bass), Larry Fast (synthesisers). Jerry Marotta (drums), Peter Hammill (guitar, vocals) and “the wonderful Bristol-based drum and dance group,” Ekomé (drums, percussion).\u003c\/p\u003e\u003cp\u003e“We wanted to show that wherever you were born, whatever colour or language, whatever religious or sexual persuasion, powerful passionate and joyful work would have a warm welcome in WOMAD.\u003c\/p\u003e\u003cp\u003eAt the beginning, most music industry professionals told us that we had no chance of making this dream work, we had all the wonderful naïve misguided optimism of the young, and were convinced that we would prove all the cynics wrong. 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