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It follows his 2010 solo debut, In Search of Black Judas. The record features a venerable lineup of heavy-hitters from the jazz world, including the likes of John Medeski, Ben Perowsky, Jack DeJohnette, and Karl Berger, among others. 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The labels's owner, trombonist Frank Demond, produced Smoky Mary's sessions and often played on them, including many of the songs anthologized here on Traditional Jazz From New Orleans. A native of Los Angeles, Demond fell love with the Crescent City trad sound after hearing the Preservation Hall Band perform in California. That transformative moment inspired Demond to move to New Orleans, sit in with the band, and eventually join it. Smoky Mary refers to a nineteenth-century train which many musicians rode between gigs in downtown New Orleans, bythe Mississippi River, and. Dome five niles away, in Milneburg on the shore of Lake Pontchartrain. 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Hit single \"Walking on Thin Ice\" is now available to stream everywhere for the first time.One of Pitchfork's Top 200 albums of the 1980s, Season of Glass was released in June 1981, just seven months after the senseless murder of Ono's husband and creative partner, John Lennon. Full of songs about love, loss, anger and fear, the album reflected Ono's experience in stark detail, creating almost a companion piece to Ono and Lennon's 1970 Plastic Ono Band \"primal scream\" albums. \"Season of Glass was really just being me, I suppose,\" Ono told Newsweek in 1982. \"Sort of, it was like a primal scream in a way; you know, something happened in my life, and I just had to say it. And I think it was therapeutic for me more than anything else.And I was pretty honest, I suppose.\" Ono's fifth studio album, Season of Glass was also the artist's most commercially successful to date, cracking the Top 50 on Billboard's Album Chart, but it was not without controversy. The album's cover was a photograph of Lennon's blood-soaked glasses, just as they were returned to Ono from Roosevelt Hospital after his murder. Though David Geffen, the head of Geffen Records, who had released Ono and Lennon's Double Fantasy in November 1980, and released the original version of Season of Glass, implored Ono to change the cover, Ono stood her ground.\"The record company called me and said the record shops would not stock the record unless I changed the cover,\" Ono wrote in the liner notes to ONOBOX. \"I didn't understand it. Why? They said it was in bad taste. I felt like a person soaked in blood coming into a living room full of people and reporting that my husband was dead, his body was taken away, and the pair of glasses were the only thing I had managed to salvage - and people looking at me saying it was in bad taste to show the glasses to them.\"\"I'm not changing the cover,\" Ono recalled telling Geffen. \"This is what John is now.\" Backed by the same band that had played on Double Fantasy, the sound of Season of Glass sits in alignment next to that album, which at the time was already considered an artistic triumph for Ono, who was inspiring young artists like the B-52s and Sonic Youth.In the years since it's release, the honest, loving, sometimes harrowing nature of the songs on Season of Glass have meant that it has only gained in stature. Nowuniversally embraced as a powerful artistic statement about grief and loss, it is considered a landmark release, and among Ono's best works; a fully realized artisticstatement. 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Hit single \"Walking on Thin Ice\" is now available to stream everywhere for the first time.One of Pitchfork's Top 200 albums of the 1980s, Season of Glass was released in June 1981, just seven months after the senseless murder of Ono's husband and creative partner, John Lennon. Full of songs about love, loss, anger and fear, the album reflected Ono's experience in stark detail, creating almost a companion piece to Ono and Lennon's 1970 Plastic Ono Band \"primal scream\" albums. \"Season of Glass was really just being me, I suppose,\" Ono told Newsweek in 1982. \"Sort of, it was like a primal scream in a way; you know, something happened in my life, and I just had to say it. And I think it was therapeutic for me more than anything else.And I was pretty honest, I suppose.\" Ono's fifth studio album, Season of Glass was also the artist's most commercially successful to date, cracking the Top 50 on Billboard's Album Chart, but it was not without controversy. The album's cover was a photograph of Lennon's blood-soaked glasses, just as they were returned to Ono from Roosevelt Hospital after his murder. Though David Geffen, the head of Geffen Records, who had released Ono and Lennon's Double Fantasy in November 1980, and released the original version of Season of Glass, implored Ono to change the cover, Ono stood her ground.\"The record company called me and said the record shops would not stock the record unless I changed the cover,\" Ono wrote in the liner notes to ONOBOX. \"I didn't understand it. Why? They said it was in bad taste. I felt like a person soaked in blood coming into a living room full of people and reporting that my husband was dead, his body was taken away, and the pair of glasses were the only thing I had managed to salvage - and people looking at me saying it was in bad taste to show the glasses to them.\"\"I'm not changing the cover,\" Ono recalled telling Geffen. \"This is what John is now.\" Backed by the same band that had played on Double Fantasy, the sound of Season of Glass sits in alignment next to that album, which at the time was already considered an artistic triumph for Ono, who was inspiring young artists like the B-52s and Sonic Youth.In the years since it's release, the honest, loving, sometimes harrowing nature of the songs on Season of Glass have meant that it has only gained in stature. Nowuniversally embraced as a powerful artistic statement about grief and loss, it is considered a landmark release, and among Ono's best works; a fully realized artisticstatement. 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