{"title":"09\/04 DROPS","description":null,"products":[{"product_id":"preorder-the-simpsons-songs-in-the-key-of-springfield-original-music-from-the-television-series-deluxe","title":"PREORDER: The Simpsons - Songs in the Key of Springfield (Original Music from the Television Series) [Deluxe]","description":"\u003cp\u003eCelebrate the music of The Simpsons with Songs in the Key of Springfield, now available as a deluxe 2LP vinyl edition. This collection showcasing fan-favorite songs, deep cuts, and classic moments from across the series is a must-have for collectors.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Simpsons Main Title Theme (Extended Version)\u003c\/li\u003e\n\u003cli\u003eWe Do (The Stonecutters' Song)\u003c\/li\u003e\n\u003cli\u003eDancin' Homer (Medley)\u003c\/li\u003e\n\u003cli\u003eHomer \u0026amp;amp; Apu (Medley)\u003c\/li\u003e\n\u003cli\u003e'Round Springfield (Medley)\u003c\/li\u003e\n\u003cli\u003e\u0026amp;quot;Oh, Streetcar!\u0026amp;quot; (The Musical)\u003c\/li\u003e\n\u003cli\u003eJingle Bells\u003c\/li\u003e\n\u003cli\u003e$pringfield (Medley)\u003c\/li\u003e\n\u003cli\u003e\u0026amp;quot;Itchy \u0026amp;amp; Scratchy\u0026amp;quot; Main Title Theme\u003c\/li\u003e\n\u003cli\u003e\u0026amp;quot;Itchy \u0026amp;amp; Scratchy\u0026amp;quot; End Credits Theme\u003c\/li\u003e\n\u003cli\u003eThe Day the Violence Died (Medley)\u003c\/li\u003e\n\u003cli\u003eSeÃ±or Burns\u003c\/li\u003e\n\u003cli\u003eThe Simpsons End Credits Theme (\u0026amp;quot;Afro-Cuban\u0026amp;quot; Version)\u003c\/li\u003e\n\u003cli\u003eYour Wife Don't Understand You\u003c\/li\u003e\n\u003cli\u003eKamp Krusty (Medley)\u003c\/li\u003e\n\u003cli\u003eThe Simpsons End Credits Theme (\u0026amp;quot;Australian\u0026amp;quot; Version)\u003c\/li\u003e\n\u003cli\u003eThe Simpsons End Credits Theme (\u0026amp;quot;Hill Street Blues\u0026amp;quot; Homage)\u003c\/li\u003e\n\u003cli\u003eThe Simpsons End Credits Theme (\u0026amp;quot;It's a Mad, Mad, Mad, Mad World\u0026amp;quot; Homage)\u003c\/li\u003e\n\u003cli\u003eTreehouse of Horror V (Medley)\u003c\/li\u003e\n\u003cli\u003eHoney Roasted Peanuts\u003c\/li\u003e\n\u003cli\u003eBoy Scoutz N the Hood (Medley)\u003c\/li\u003e\n\u003cli\u003eTwo Dozen and One Greyhounds (Medley)\u003c\/li\u003e\n\u003cli\u003e\u0026amp;quot;Eye on Springfield\u0026amp;quot; Theme\u003c\/li\u003e\n\u003cli\u003eFlaming Moe's\u003c\/li\u003e\n\u003cli\u003eHomer's Barbershop Quartet (Medley)\u003c\/li\u003e\n\u003cli\u003eTV Sucks!\u003c\/li\u003e\n\u003cli\u003eA Fish Called Selma (Medley)\u003c\/li\u003e\n\u003cli\u003eSend in the Clowns\u003c\/li\u003e\n\u003cli\u003eThe Monorail Song\u003c\/li\u003e\n\u003cli\u003eIn Search of an Out of Body Vibe\u003c\/li\u003e\n\u003cli\u003eCool\u003c\/li\u003e\n\u003cli\u003eBagged Me a Homer\u003c\/li\u003e\n\u003cli\u003eIt Was a Very Good Beer\u003c\/li\u003e\n\u003cli\u003eBart Sells His Soul (Medley)\u003c\/li\u003e\n\u003cli\u003eHappy Birthday, Lisa\u003c\/li\u003e\n\u003cli\u003eThe Simpsons Halloween Special End Credits Theme (\u0026amp;quot;The Addams Family\u0026amp;quot; Homage)\u003c\/li\u003e\n\u003cli\u003eWho Shot Mr. Burns? 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This collaboration marks the first time a Nintendo soundtrack has been commercially released on vinyl outside of Japan. This box set features heavyweight LPs that come in printed disc inners and spined inner sleeves, all housed in a rigid board dual slipcase. All packaging is adorned with archival artwork by the team behind The Legend of Zelda: Breath of the Wild. Each disc side is sequenced around a theme, reflecting players' adventures in the game, whether exploring Hyrule, battling enemies, freeing the Divine Beasts from Calamity Ganon's hold, or unlocking the mysteries of the Shrines. The unforgettable music of The Legend of Zelda: Breath of the Wild introduced bold new musical textures to the series, while embracing classic themes. From the first spine-tingling piano notes of \"Main Theme\" to the final choral-orchestral stirrings of \"Epilogue\", the soundtrack follows the ups and downs of Link's epic adventure. Each element of the game enjoys a distinct musical palette, including the iconic minimalist piano of the open world, the alien sounds of Sheikah technology, the tension-filled rhythms of enemy encounters, and the orchestral grandeur of the Divine Beast battles. The pieces were composed by Manaka Kataoka, Yasuaki Iwata, Hajime Wakai, and Soshi Abe. Along with this wonderful soundtrack on vinyl, fans can experience the full digital soundtrack for The Legend of Zelda: Breath of the Wild by downloading the Nintendo Music app.* *Available to download from the Apple App Store and Google Play Store. Nintendo Switch Online membership is required © Nintendo\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Squatch In The Pit","offers":[{"title":"Default Title","offer_id":47526675546365,"sku":null,"price":213.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0337\/6889\/8692\/files\/4469931-3474815.jpg?v=1778510087"},{"product_id":"preorder-the-legend-of-zelda-breath-of-the-wild-lp","title":"PREORDER: THE LEGEND OF ZELDA: BREATH OF THE WILD (LP)","description":"\u003cdiv class=\"main-title col-md-12 d-none d-sm-block\"\u003e\n\u003cul class=\"aec-product-title\"\u003e\n\u003cli class=\"aec-main-title\"\u003e\n\u003ch2 class=\"title-h2\"\u003eThe Legend of Zelda: Breath of the Wild\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli class=\"aec-title-featurelist aec-main-desc\"\u003e(180 Gram Vinyl)\u003c\/li\u003e\n\u003cli class=\"aec-title-featurelist aec-main-artist\"\u003e\n\u003cspan\u003eArtist: \u003c\/span\u003eManaka Kataoka\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan\u003e \u003c\/span\u003e\n\u003cul class=\"aec-product-title\"\u003e\n\u003cli class=\"aec-title-featurelist\"\u003e\n\u003cspan\u003eFormat: \u003c\/span\u003eLP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan\u003e \u003c\/span\u003e\n\u003cul class=\"aec-product-title\"\u003e\n\u003cli class=\"aec-title-featurelist\"\u003e\n\u003cspan\u003eRelease Date: 09\/04\u003c\/span\u003e\u003cspan class=\"aec-title-date\"\u003e\/2026\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"d-flex flex-wrap\"\u003e\n\u003cdiv id=\"product-primaryinfo\" class=\"primaryinfo-holder col-lg-8 col-12\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eLabel:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eLaced Records\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eVendor:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eLaced Music Ltd\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDistributor:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eAMPED\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNumber of Discs:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eUPC:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e5063176092717\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eGenre:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eSoundtrack,\u003cspan\u003e \u003c\/span\u003eVideo Game Soundtrack\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cp\u003eNintendo and Laced Records are linking up to bring the sweeping music of The Legend of Zelda™️: Breath of the Wild to vinyl records. This collaboration marks the first time a Nintendo soundtrack has been commercially released on vinyl outside of Japan. This double LP set features heavyweight discs that come in printed inner sleeves, housed in a widespined outer sleeve. All packaging is adorned with archival artwork by the team behind The Legend of Zelda: Breath of the Wild. The tracklist includes 34 fan-favourite cues including \"Overworld (Day)\", \"Great Fairy Fountain\" and \"Hyrule Castle\", sequenced to take listeners on a whistlestop tour of Hyrule in the final days of the Great Calamity. The unforgettable music of The Legend of Zelda: Breath of the Wild introduced bold new musical textures to the series, while embracing classic themes. From the first spine-tingling piano notes of \"Main Theme\" to the final choral-orchestral stirrings of \"Epilogue\", the soundtrack follows the ups and the downs of Link's epic adventure. Each element of the game enjoys a distinct musical palette, including the iconic minimalist piano of the open world, the alien sounds of Sheikah technology, the tension-filled rhythms of enemy encounters, and the orchestral grandeur of the Divine Beast battles. The composition team comprised Manaka Kataoka, Yasuaki Iwata, and Hajime Wakai. Along with this wonderful soundtrack on vinyl, fans can experience the full digital soundtrack for The Legend of Zelda: Breath of the Wild by downloading the Nintendo Music app.* *Available to download from the Apple App Store and Google Play Store. 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Released as singles, these tender ballads created a sensation, while the LP with numbers such as \"Dirty, Dirty Feeling\", \"Like A Baby\" and \"The Thrill Of Your Love\" underlined Elvis's enhanced qualities as a rock, blues and gospel singer. That his voice - despite everyone's fears - had lost nothing of it's erotic thrill is more than amply demonstrated in his rendering of \"Fever\" alone, which is accompanied merely by bass and percussion.With it's amazing array of varying styles, this must surely be one of Elvis's most genial albums and was unrivaled right up until his great comeback in 1968 (\"From Elvis In Memphis\", RCA LSP-4155)..\" March 1960 at RCA Studios, Hollywood, CA. And April 1960 in Nashville, TS., USA, by Bill Porter \/ Production: Chet Atkins.\" \"Elvis Is Back\" - Elvis Presley (g, voc); Floyd Cramer(p); Scotty Moore (g); Boots Randolph (sax); Hank Garland (b, g); Charlie Hodge (harmony); Bob Moore (b); D.J. Fontana (dr); Hoyt Hawkins, Neal Matthews, Gordon Stoker, Ray C. Walker (voc).\" gatefold sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMake Me Know It\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eThe Girl of My Best Friend\u003c\/li\u003e\n\u003cli\u003eI Will Be Home Again\u003c\/li\u003e\n\u003cli\u003eDirty, Dirty Feeling\u003c\/li\u003e\n\u003cli\u003eThrill of Your Love\u003c\/li\u003e\n\u003cli\u003eSoldier Boy\u003c\/li\u003e\n\u003cli\u003eSuch a Night\u003c\/li\u003e\n\u003cli\u003eIt Feels So Right\u003c\/li\u003e\n\u003cli\u003eThe Girl Next Door\u003c\/li\u003e\n\u003cli\u003eLike a Baby\u003c\/li\u003e\n\u003cli\u003eReconsider Baby\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019712578\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Squatch in the Pit","offers":[{"title":"Default Title","offer_id":47803000684797,"sku":"4260019712578","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0337\/6889\/8692\/files\/3755487-2658516.jpg?v=1783430869"},{"product_id":"preorder-lou-reed-transformer-lp","title":"PREORDER: Lou Reed - Transformer [LP]","description":"\u003cp\u003eIt is well known that comparisons seldom get to the root of the matter, but in the case of Lou Reed, for example, they certainly reveal the unassuredness of those people who made them. Is he or isn't he the Chuck Berry or Sergeant Pepper of the Seventies, or is he deliberately building up an image of himself as an ultra-sensitive Frankenstein, who lived out his neuroses and drug trips in horrific sound? Some records are so unbelievably repulsive,Â® raged the magazine Rolling Stone, that one would best like to take physical revenge on the artists who commit such offences.The album \"\"Transformer\"\", however, can by no means be classified as a case of 'acoustic bodily harm'. It appeared just a few months after the somewhat unsuccessful appearance of Lou Reed's fairly underground first release and rocketed straight into the charts. This production had two British guardian angels to help it on it's way, namely David Bowie and Mick Ronson, both of whom obviously knew how to steer Reed's songwriting qualities into safe waters, without watering down his biting sarcasm and humorous provocation.And that's why grating guitar rock (\"\"Vicious\"\") is found alongside a bittersweet, tender ballad (\"\"Perfect Day\"\") and even an old-time jazz parody (\"\"Goodnight Ladies\"\") which is sung with a tongue a heavy as lead. Why then compare this highly original music mix with others, when it's so much easier to hear this record for what it is - a truly cult album?.\"\" Recording: 1972 by Arun ChakranertyProduction: David Bowie and Mick Ronson.\"\" \"\"Transformer\"\" - Lou Reed (voc, g, arr), Mick Ronson (voc, g, p, arr); David Bowie (voc, arr); Ronnie Ross (sax); Klaus Voorman (b), Herbie Flowers (tu, b); John Halzey, Barry Desouza; Ritchie Dharma (dr); a.o..\"\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVicious\u003c\/li\u003e\n\u003cli\u003eAndy's Chest\u003c\/li\u003e\n\u003cli\u003ePerfect Day\u003c\/li\u003e\n\u003cli\u003eHangin' 'Round\u003c\/li\u003e\n\u003cli\u003eWalk on the Wild Side\u003c\/li\u003e\n\u003cli\u003eMake Up\u003c\/li\u003e\n\u003cli\u003eSatellite of Love\u003c\/li\u003e\n\u003cli\u003eWagon Wheel\u003c\/li\u003e\n\u003cli\u003eNew York Telephone Conversation\u003c\/li\u003e\n\u003cli\u003eI'm So Free\u003c\/li\u003e\n\u003cli\u003eGoodnight Ladies\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019712240\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Squatch in the Pit","offers":[{"title":"Default Title","offer_id":47803001078013,"sku":"4260019712240","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0337\/6889\/8692\/files\/1998362-3629988.jpg?v=1783430923"},{"product_id":"preorder-al-green-call-me-180-gram-vinyl","title":"PREORDER: Al Green - Call Me [180 Gram Vinyl]","description":"\u003cp\u003eWhat connects celebrity chefs and pop stars is their fine nose for ingredients, especially when hot and spicy ones are mixed with milder elements to create an aromatic result. A combination of 'sweet' and 'funky' is the secret of Al Green's gloriously sentimental and sensual pop songs, which in the sexually free Seventies were often referred to as -songs to make love byr. What swings along gently is, however, Al Green's subtly controlled falsetto, which he can tone right to the threshold of audibility. But watch out! This music belts out some fiery sounds right from the very first number. The sinuous, swinging request in the brilliant hit single \"Call Me\", the relaxed and groovy \"Stand Up\", with it's sharp wind interjections which demand one's unerring attention, are typical for Green's style, just as is his almost disturbing capability to gain comfort from loneliness (\"I'm So Lonesome, I Could Cry\"). This rhythmically powered music can best be described as light, intensive, dynamic but never flashy (\"Your Love Is Like The Morning Sun\"). It finds it's earthly culmination in soul (\"I'm Waiting\") and spiritual depth..\" Recording: 1973 at Royal Recording Studios, Memphis, TN, by Willie MitchellProduction: Al Green and Willie Mitchell.\" \"Call Me\" - Al Green (voc); James Mitchell (bs, arr); Andrew Love (ts); Jack Hale (tb); Wayne Jackson (tp); Mabon Hodges (g); Charles Hodges (keyb); Archie Turner (p); Leroy Hodges (b); Howard Grimes (dr); The Memphis Strings; a.o..\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCall Me (Come Back Home)\u003c\/li\u003e\n\u003cli\u003eHave You Been Making Out O.K\u003c\/li\u003e\n\u003cli\u003eStand Up\u003c\/li\u003e\n\u003cli\u003eI'm So Lonesome I Could Cry\u003c\/li\u003e\n\u003cli\u003eYour Love Is Like the Morning Sun\u003c\/li\u003e\n\u003cli\u003eHere I Am (Come and Take Me)\u003c\/li\u003e\n\u003cli\u003eFunny How Time Slips Away\u003c\/li\u003e\n\u003cli\u003eYou Ought to Be with Me\u003c\/li\u003e\n\u003cli\u003eJesus Is Waiting\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019714190\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Squatch in the Pit","offers":[{"title":"Default Title","offer_id":47803002224893,"sku":"4260019714190","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0337\/6889\/8692\/files\/1956050.jpg?v=1783431079"},{"product_id":"preorder-johnny-winter-johnny-winter-180-gram-vinyl","title":"PREORDER: Johnny Winter - Johnny Winter [180 Gram Vinyl]","description":"\u003cp\u003eWhen an international weekly magazine calls a musician \"the white pope of black art\", then it sounds suspiciously like charitableness towards a blues musician in his prime, whose good years are in the past. As if! In the case of Johnny Winter, the reviews of his 2011 tour were just as glowing as in his early years, when Rolling Stone magazine described the gaunt Mississippi bard as \"a cross-eyed albino with long fleecy hair playing some of the gutsiest fluid blues guitar you have ever heard\". Intentional or not: Winter was able to win for himself some of the 'rocker' laurels that were reserved for the young Eric Clapton and Jimi Hendrix. But Winter let everyone know that he was only interested in the blues, gutsy, evoking Howlin' Wolf's and Muddy Waters' growling groove, yet nimble-fingered enough on the strings to conjure up astoundingly sleek garlands of sound that fit precisely into each bar of music.Winter remains pretty cool when people attempt to identify personal afflictions in his music: -Â»When I play blues, I feel good-Â« he stated recently to a journalist. That the same goes for over 40 years ago is substantiated by both sides of this debut album..\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Yours and I'm Hers\u003c\/li\u003e\n\u003cli\u003eBe Careful with a Fool\u003c\/li\u003e\n\u003cli\u003eDallas\u003c\/li\u003e\n\u003cli\u003eMean Mistreater\u003c\/li\u003e\n\u003cli\u003eLeland Mississippi Blues\u003c\/li\u003e\n\u003cli\u003eGood Morning Little School Girl\u003c\/li\u003e\n\u003cli\u003eWhen You Got a Good Friend 3:30\u003c\/li\u003e\n\u003cli\u003eI'll Drown in My Tears\u003c\/li\u003e\n\u003cli\u003eBack Door Friend\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019714138\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Squatch in the Pit","offers":[{"title":"Default Title","offer_id":47803002290429,"sku":"4260019714138","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0337\/6889\/8692\/files\/2293130.jpg?v=1783431095"},{"product_id":"preorder-nina-simone-sings-the-blues-lp","title":"PREORDER: Nina Simone - Sings The Blues [LP]","description":"\u003cp\u003eIn both her public and private life, Nina Simone was adamant about one thing, namely, what she simply would not tolerate. She sometimes complained about the miserable erotic prowess of her lovers, while at other times her audience were a target for her tongue. Sometimes she canceled her performances at short notice and held a tirade against show business as such. In her music, rooted in gospel, she sought a path which took her down a middle course between jazz and pop, thus earning her the title of High Priestess Of Soul (as in the LP title) with her rock fans in the Sixties.The present blues album was recorded during what was undisputedly her most productive phase. It is a recording which does not swim with the tide of the times in that it does not employ massive forces or seek the twang of electrification. Instead Nina Simone's wonderfully sleek contralto voice bathes in the gentle timbre of an organ and a pithy, pulsating - but by no means stomping - rhythm. The cool, unemotional number \"\"Sings The Blues\"\" guarantees riveting tension and the authenticity of the genre which is, of course, the be all and end all of music for every black artist. 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The multi-part title number \"Times Loves A Hero\" follows on with a more subdued tempo but with great dive and sophisticated percussion, which proves itself to be the most important element and governs the whole album. 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Roughly ten years later, his live album - put together from a five-day residency at the Roxy Theater in West Hollywood - entered the annals of vinyl history as one of the best live albums of all time and was awarded four stars by the magazine Rolling Stone. Ambiguously entitled by the comprehensively educated Zevon, who had been confronted with the tough side of show business, 'Stand In The Fire' delivers genial simple pure and straightforward rock right from the start, which hit the public with a vengeance. Full of vim and elation, the band pours out the significant, biting verses with fire ('Jeannie Needs A Shooter') and fuels the emotional inferno with high-speed bursts of rock ('Excitable Boy'). Zevon proves his skills as a singer and songwriter in the ballad-like yet powerful 'Mohammed's Radio'. In a direct comparison to this number we have the forthright, no-nonsense hit 'Werewolves Of London' with it's close harmonies. Just how Zevon manages to succeed in getting his delicate voice and lyrics over to the public is shown in the powerful mix of heavy and honky-tonk ('I'll Sleep When I'm Dead') and finally in the thunderous final number - 'Bo Didley's A Gunslinger' - with it's percussive and metrically complicated antiphony. This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www. Pure-analogue. #com. All royalties and mechanical rights have been paid. 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Whoever says that today must have been pretty lively on their feet in the 70s and 80s and in the days of their youth they will definitely have noticed that the commercial fusion music they listened to on a Saturday night was buzzing with energy and excitement. Earth, Wind \u0026amp; Fire considered their amazing mix of Latin, Gospel, Soul, Funk and dynamic horn section as being of existential importance. This was the album that would either make or break the band: either they would establish themselves or they would sink into oblivion like so many other rhythm and blues acts.The basic recipe - finely chiselled Latin beat, meaty bass grooves and sizzling funky improvisations, spiced with the sound of exotic instruments - works perfectly. Furthermore, crowned with a beautifully airy falsetto and relaxed harmonious singing, the band created a big-band sound that the magazine Rolling Stone described as -Â»innovative yet popular, precise yet sensual, calculated yet galvanizing-Â«. Almost two decades later, and with more than three million albums sold in the USA alone, the editorial team voted the LP into their list of the '500 Greatest Albums of All Time'. And about time too! 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But Elvis, who in the Fifties was climbing as steadily up the ladder of success as Father Christmas coursed the sky in his sleigh, certainly pulled off this feat in his \"Christmas Album\" with it's mixture of popular Christmas songs and seasonal evergreens. The 'King' delivers a rocking version of \"Santa Claus Is Back In Town\" just as successfully as \"Peace In The Valley\", an inspirational gospel song praising nature. Of course it goes without saying that \"White Christmas\" - the most-recorded Christmas hit, which in the Bing Crosby version alone achieved sales of 35 million - is included on the album. And Elvis's sentimental interpretation of \"Silent Night\" may well have made it's contribution to the immortality of the former truck driver from Tennessee. Back on this earth the original LP exchanges hands for around US$ 500 when the gift tag is still attached. 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