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(2024 Remastered)\u003c\/li\u003e\n\u003cli\u003eDrifter in the Dark (2024 Remastered)\u003c\/li\u003e\n\u003cli\u003eVoodoo Lady (2024 Remastered)\u003c\/li\u003e\n\u003cli\u003eJoppa Road (2024 Remastered)\u003c\/li\u003e\n\u003cli\u003eCandi (2024 Remastered)\u003c\/li\u003e\n\u003cli\u003eBuenas Tardes Amigo (2024 Remastered)\u003c\/li\u003e\n\u003cli\u003eThe HIV Song (2024 Remastered)\u003c\/li\u003e\n\u003cli\u003eWhat Deaner Was Talkin' About (2024 Remastered)\u003c\/li\u003e\n\u003cli\u003eDon't Shit Where You Eat (2024 Remastered)\u003c\/li\u003e\n\u003cli\u003eI'm Holding You\u003c\/li\u003e\n\u003cli\u003eJapanese Cowboy\u003c\/li\u003e\n\u003cli\u003ePiss up a Rope\u003c\/li\u003e\n\u003cli\u003eI Don't Wanna Leave You on the Farm\u003c\/li\u003e\n\u003cli\u003ePretty Girl\u003c\/li\u003e\n\u003cli\u003ePowder Blue\u003c\/li\u003e\n\u003cli\u003eMister Richard Smoker\u003c\/li\u003e\n\u003cli\u003eHelp Me Scrape the Mucus off My Brain\u003c\/li\u003e\n\u003cli\u003eYou Were the Fool\u003c\/li\u003e\n\u003cli\u003eFluffy\u003c\/li\u003e\n\u003cli\u003eI'm Dancing in the Show Tonight\u003c\/li\u003e\n\u003cli\u003eThe Mollusk\u003c\/li\u003e\n\u003cli\u003ePolka Dot Tail\u003c\/li\u003e\n\u003cli\u003eI'll Be Your Jonny on the Spot\u003c\/li\u003e\n\u003cli\u003eMutilated Lips\u003c\/li\u003e\n\u003cli\u003eThe Blarney Stone\u003c\/li\u003e\n\u003cli\u003eIt's Gonna Be (Alright)\u003c\/li\u003e\n\u003cli\u003eThe Golden Eel\u003c\/li\u003e\n\u003cli\u003eCold Blows the Wind\u003c\/li\u003e\n\u003cli\u003ePink Eye (On My Leg)\u003c\/li\u003e\n\u003cli\u003eWaving My Dick in the Wind\u003c\/li\u003e\n\u003cli\u003eBuckingham Green\u003c\/li\u003e\n\u003cli\u003eOcean Man\u003c\/li\u003e\n\u003cli\u003eShe Wanted to Leave\u003c\/li\u003e\n\u003cli\u003eExactly Where I'm At\u003c\/li\u003e\n\u003cli\u003eFlutes of Chi\u003c\/li\u003e\n\u003cli\u003eEven If You Don't\u003c\/li\u003e\n\u003cli\u003eBananas and Blow\u003c\/li\u003e\n\u003cli\u003eStroker Ace\u003c\/li\u003e\n\u003cli\u003eIce Castles\u003c\/li\u003e\n\u003cli\u003eBack to Basom\u003c\/li\u003e\n\u003cli\u003eThe Grobe\u003c\/li\u003e\n\u003cli\u003ePandy Fackler\u003c\/li\u003e\n\u003cli\u003eStay Forever\u003c\/li\u003e\n\u003cli\u003eFalling Out\u003c\/li\u003e\n\u003cli\u003eShe's Your Baby\u003c\/li\u003e\n\u003cli\u003eIt's Gonna Be A Long Night\u003c\/li\u003e\n\u003cli\u003eZoloft\u003c\/li\u003e\n\u003cli\u003eTransdermal Celebration\u003c\/li\u003e\n\u003cli\u003eAmong His Tribe\u003c\/li\u003e\n\u003cli\u003eSo Many People In The Neighborhood\u003c\/li\u003e\n\u003cli\u003eTried And True\u003c\/li\u003e\n\u003cli\u003eHappy Colored Marbles\u003c\/li\u003e\n\u003cli\u003eHey There Fancypants\u003c\/li\u003e\n\u003cli\u003eCaptain\u003c\/li\u003e\n\u003cli\u003eChocolate Town\u003c\/li\u003e\n\u003cli\u003eI Don't Want It\u003c\/li\u003e\n\u003cli\u003eThe F**ked Jam\u003c\/li\u003e\n\u003cli\u003eAlcan Road\u003c\/li\u003e\n\u003cli\u003eThe Argus\u003c\/li\u003e\n\u003cli\u003eIf You Could Save Yourself (You'd Save Us All)\u003c\/li\u003e\n\u003cli\u003eTastes Good On Th' Bun\u003c\/li\u003e\n\u003cli\u003eBoys Club\u003c\/li\u003e\n\u003cli\u003eI Fell in Love Today\u003c\/li\u003e\n\u003cli\u003eBig Fat Fuck\u003c\/li\u003e\n\u003cli\u003eGabrielle\u003c\/li\u003e\n\u003cli\u003eDid You See Me?\u003c\/li\u003e\n\u003cli\u003eHow High Can You Fly\u003c\/li\u003e\n\u003cli\u003eTransitions\u003c\/li\u003e\n\u003cli\u003eIsrael\u003c\/li\u003e\n\u003cli\u003eThe Rift\u003c\/li\u003e\n\u003cli\u003eMonique the Freak\u003c\/li\u003e\n\u003cli\u003eSomeday ^1\u003c\/li\u003e\n\u003cli\u003eFiesta ^1\u003c\/li\u003e\n\u003cli\u003eBlue Balloon ^1\u003c\/li\u003e\n\u003cli\u003eFriends ^1\u003c\/li\u003e\n\u003cli\u003eObject ^1\u003c\/li\u003e\n\u003cli\u003eLearnin' to Love ^1\u003c\/li\u003e\n\u003cli\u003eMy Own Bare Hands ^1\u003c\/li\u003e\n\u003cli\u003eThe Fruit Man ^1\u003c\/li\u003e\n\u003cli\u003eFiesta ^1\u003c\/li\u003e\n\u003cli\u003eBlue Balloon ^1\u003c\/li\u003e\n\u003cli\u003eFriends ^1\u003c\/li\u003e\n\u003cli\u003eObject ^1\u003c\/li\u003e\n\u003cli\u003eLearnin' to Love ^1\u003c\/li\u003e\n\u003cli\u003eMy Own Bare Hands ^1\u003c\/li\u003e\n\u003cli\u003eThe Fruit Man\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497807208\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.8.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Squatch in the Pit","offers":[{"title":"Default Title","offer_id":47384846336253,"sku":"603497807208","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0337\/6889\/8692\/files\/4496466-3535632.jpg?v=1776177807"},{"product_id":"preorder-alcest-ecailles-de-lune-black-and-blue","title":"Alcest - 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The French post-black metal pioneers created a sound of lucent, dreamlike quality and otherworldly beauty that has equally defined them and been refined by them ever since.In musical terms, Alcest amalgamate calm, semi-acoustic passages, repetitive, hypnotic patterns, and captivating melodies with outbursts of harsh riffing and aggressive drumming. The same contrasting and complementing effect is used by band founder and guitarist Neige for his vocals. Clean singing that is morphing back and forth between a warm and darker tone and a gentle higher pitch occasionally gets swept aside by despairing shrieks and furious black voices - only to flowingly return like an unstoppable tide. \"For this album, I was especially inspired by the sea, the energy, and the exaltation that you can feel when you sit in front of the ocean at night,\" Neige explained about \"Écailles de Lune\". \"The sea appears terribly fascinating, full of secrets, beautiful and frightening at the same time.\"Alcest's music has received many labels over the years including post-black metal, post-rock, shoegaze, and blackgaze to name some of the more commonly found terms. Yet whatever the band originally from Avignon and now based with Neige in Paris is called, their sound has always remained unique. Another typical element of their albums is a concept or theme that runs through the songs. 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I wouldn't call it \"old school\", as I didn't try to play or achieve the retro vibe over here - but it is indeed very classic sounding, raw, and full of the original Heavy Metal energy. Leatherwitch's debut album 'First spell' will let the listener encounter some sparkling riffs and solos accompanied by what is surely the most convincing vocal performance of Marta's career. Every track comes loud with it's own clarity yet with a raw vibe thanks to refined production. Marta continues : \"First Spell\" as the album title is a play of words: if I'm this Heavy Metal witch wearing leather, holding a flying V guitar, playing loud and proud, then why not to call the first album \"First Spell\", since it's the first official full length release. There is no actual concept behind the lyrics on the new album, they are like short stories about what inspires me, about what was or is happening in my life, and about events II witnessed or which I was part of. So some of the lyrics have deeper or more symbolic personal meeting, while the others are fun stories related to classic Gothic Horror or playing D\u0026amp;D. Leatherwitch 'Beast inside' digital single is out now and it's limited edition debut 7inch version is available 'First Spell' CD version features a scorching rendition of Helloween 'Walls of Jericho\/ Ride the Sky' and the vinyl version contains a cover of Manowar's crushing classic 'Black Wind Fire and Steel' as exclusive bonus tracks. The Witch is Dead, Long Live the Witch ! Leatherwitch 'First Spell' was mixed by Olof Wikstrand (ENFORCER), and features special guest, guitarist Giuseppe Taormina (ELLENDE, ex-CRYSTAL VIPER). 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Noah has amassed over 1 million YouTube subscribers, over 770K TikTok followers \u0026amp; over 390k Instagram followers, in addition to winning the 2022 Blogosphere Award for \"Vlogger of the year. Noahfinnce has been covered in Kerrang! \u0026amp; Dork, featured on the cover of Rock Sound, Upset, \u0026amp; Gay Times and \u0026amp; named a YouTube Creator on the Rise. Growing Up On The Internet takes you on a journey exploring Noah's formative years, where he found himself navigating a suddenly accessible and unknown internet world. 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In 1967, alongside Christopher Hogwood, he founded the Early Music Consort of London, an ensemble that would redefine historical performance. His prolific discography on Warner Classics and Nonesuch remains a treasure trove of reference recordings, testifying to his immense virtuosity, eclecticism, and pioneering spirit. When he died in May 1976, at only thirty-three, Munrow left behind a recorded legacy that, in it's breadth and significance, rivalled - and in some respects surpassed - that of far more senior figures. His output ranged from the twelfth century to the high Baroque and the great vocal masterpieces of the Renaissance - with occasional forays into the twentieth century. 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Basse dance, \"Falla con misuras\"\u003c\/li\u003e\n\u003cli\u003eThe Burgundian Court of Philip the Good: II. Ballade, \"Entre vous, noviaux mariés\"\u003c\/li\u003e\n\u003cli\u003eThe Burgundian Court of Philip the Good: III. Chanson, \"Vergine bella\"\u003c\/li\u003e\n\u003cli\u003eThe German Court of Emperor Maximillian I: I. Isbruck, Ich muß dich lassen\u003c\/li\u003e\n\u003cli\u003eThe German Court of Emperor Maximillian I: II. Spanyöler Tancz ; Hopper Dancz\u003c\/li\u003e\n\u003cli\u003eThe German Court of Emperor Maximillian I: III. Nun wöllt ihr hören neue Mär\u003c\/li\u003e\n\u003cli\u003eItalian Music of the Medici Court - Three Carnival Songs c.1505: I. O fallace speranza\u003c\/li\u003e\n\u003cli\u003eItalian Music of the Medici Court - Three Carnival Songs c.1505: II. Tua volsi esser sempre mai\u003c\/li\u003e\n\u003cli\u003eItalian Music of the Medici Court - Three Carnival Songs c.1505: III. E quando andarete al monte\u003c\/li\u003e\n\u003cli\u003eSix Anonymous Polyphonic Dances of the Early 16th Century: I. Zorzi\u003c\/li\u003e\n\u003cli\u003eSix Anonymous Polyphonic Dances of the Early 16th Century: II. Pavana in passe e mezzo\u003c\/li\u003e\n\u003cli\u003eSix Anonymous Polyphonic Dances of the Early 16th Century: III. Saltarello de la pavana\u003c\/li\u003e\n\u003cli\u003eSix Anonymous Polyphonic Dances of the Early 16th Century: IV. La Manfrolina\u003c\/li\u003e\n\u003cli\u003eSix Anonymous Polyphonic Dances of the Early 16th Century: V. El pomo de lo pomaro\u003c\/li\u003e\n\u003cli\u003eSix Anonymous Polyphonic Dances of the Early 16th Century: VI. La rocha el fuso\u003c\/li\u003e\n\u003cli\u003eFrottola: Non e tempo\u003c\/li\u003e\n\u003cli\u003eThe Spanish Courts In the Early 16th Century: I. Recercadas primera y segunda\u003c\/li\u003e\n\u003cli\u003eThe Spanish Courts In the Early 16th Century: II. La tricotea Samartín\u003c\/li\u003e\n\u003cli\u003eThe Spanish Courts In the Early 16th Century: III. Diferencias sobre \"La dama le demanda\"\u003c\/li\u003e\n\u003cli\u003eThe Spanish Courts In the Early 16th Century: IV. Rodrigo Martines\u003c\/li\u003e\n\u003cli\u003eThe Spanish Courts In the Early 16th Century: V. Ay triste que vengo\u003c\/li\u003e\n\u003cli\u003eThe Spanish Courts In the Early 16th Century: VI. Pase el agoa, ma Julieta\u003c\/li\u003e\n\u003cli\u003eDanserye: Basse danse VI. \"La mourisque\"\u003c\/li\u003e\n\u003cli\u003eDanserye: Branle I \"Quatre branles\"\u003c\/li\u003e\n\u003cli\u003eDanserye: Ronde VI ; Ronde \"Saltarelle\"\u003c\/li\u003e\n\u003cli\u003eDanserye: Ronde II \"Mon amy\"\u003c\/li\u003e\n\u003cli\u003eDanserye: Allemaingne I ; Recoupe\u003c\/li\u003e\n\u003cli\u003eDanserye: Pavane \"Mille regretz\"\u003c\/li\u003e\n\u003cli\u003eDanserye: Basse danse \"Bergeret sans roch\" et reprise\u003c\/li\u003e\n\u003cli\u003eDanserye: Basse danse \"Danse du Roy\"\u003c\/li\u003e\n\u003cli\u003eDanserye: Ronde V \"Wo bistu\"\u003c\/li\u003e\n\u003cli\u003eDanserye: Pavane \"Pass et medio\" et reprise le pinge\u003c\/li\u003e\n\u003cli\u003eDanserye: Ronde IX\u003c\/li\u003e\n\u003cli\u003eDanserye: Pavane \"La bataille\"\u003c\/li\u003e\n\u003cli\u003eMounsier's Almaine (No. 15 from Morley's Consort Lessons)\u003c\/li\u003e\n\u003cli\u003eLachrimae Pavan (No. 7 from Morley's Consort Lessons)\u003c\/li\u003e\n\u003cli\u003eMichill's Galliard (No. 16 from Morley's Consort Lessons)\u003c\/li\u003e\n\u003cli\u003eMy Lord Chamberlain's Galliard\u003c\/li\u003e\n\u003cli\u003eThe Jew's Dance\u003c\/li\u003e\n\u003cli\u003eCaptaine Piper's Pavan ; Galliard (Nos. 4 ; 5 from Morley's Consort Lessons)\u003c\/li\u003e\n\u003cli\u003eMy Lord of Oxenford's Maske (No. 14 from Morley's Consort Lessons)\u003c\/li\u003e\n\u003cli\u003eLa volta (No. 21 from Morley's Consort Lessons)\u003c\/li\u003e\n\u003cli\u003eLa coranta (No. 22 from Morley's Consort Lessons)\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Basse Danse \"Jouyssance Vous Donneray\"\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Pavane \"Le bon vouloir\"\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Galliard \"Traditore\"\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Fireworks Music\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: The King's Ballad \"Pastime with Good Company\"\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Le petit gentilhomme\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: The Ballad of Robin and Marion\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Street Music\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Henry's Loneliness I - The Joust at Westminster - Henry's Loneliness II\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: The King's Hunt\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Fanfare \"La Mourisque\"\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Galliard I\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: La pastorella\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Galliard II\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Regal Solos. King Harry VIII Pavan - Galliard\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Wedding Music for Anne of Cleves\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: The Short Mesure off My Lady Wynkfyld's Rownde\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: My Lady Carey's Dompe\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Ethiop Masque\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: O Death Rock Me Asleep\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Catherine Howard's Interrogation\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Lute Duet\u003c\/li\u003e\n\u003cli\u003eHenry VIII and His Six Wives: Closing Music\u003c\/li\u003e\n\u003cli\u003eDónde se sufre, Juana (Formerly attributed to Alonso)\u003c\/li\u003e\n\u003cli\u003eLa tricotea sa' Martín la vea\u003c\/li\u003e\n\u003cli\u003eViva el gran Re Don Fernando con la Reina Doña Isabella\u003c\/li\u003e\n\u003cli\u003eUt queant laxis\u003c\/li\u003e\n\u003cli\u003eVirgen bendita sin par\u003c\/li\u003e\n\u003cli\u003eFantasia XI\u003c\/li\u003e\n\u003cli\u003eClaros y frescos rios\u003c\/li\u003e\n\u003cli\u003eEl cervel\u003c\/li\u003e\n\u003cli\u003eEn memoria d'Alixandre\u003c\/li\u003e\n\u003cli\u003eSola me dexaste - Minno amor, dexiste ay\u003c\/li\u003e\n\u003cli\u003eTiento\u003c\/li\u003e\n\u003cli\u003eFantasia I\u003c\/li\u003e\n\u003cli\u003eFantasia XI\u003c\/li\u003e\n\u003cli\u003eFantasia XXV\u003c\/li\u003e\n\u003cli\u003eAquel caballero, madre\u003c\/li\u003e\n\u003cli\u003eL'amor, donna, ch'io te porto\u003c\/li\u003e\n\u003cli\u003eIn te Domini speravi\u003c\/li\u003e\n\u003cli\u003eGuarda, donna, el mio tormento\u003c\/li\u003e\n\u003cli\u003eDiferencias sobre la gallarda milanesa\u003c\/li\u003e\n\u003cli\u003eAve, Virgo, gratia plena\u003c\/li\u003e\n\u003cli\u003eSumens illud\u003c\/li\u003e\n\u003cli\u003eDios te salve, cruz preciosa\u003c\/li\u003e\n\u003cli\u003eRecercada quarta\u003c\/li\u003e\n\u003cli\u003eRecercada settima\u003c\/li\u003e\n\u003cli\u003eTriste España\u003c\/li\u003e\n\u003cli\u003eJançu, Janto\u003c\/li\u003e\n\u003cli\u003eA vous, douce debonnaire (Rondeau)\u003c\/li\u003e\n\u003cli\u003eHareu! hareu! le feu \/ Helas! ou sera pris confors\u003c\/li\u003e\n\u003cli\u003eAmours me fait desirer\u003c\/li\u003e\n\u003cli\u003eTrop plus est belle \/ Blauté paree \/ Je ne suis mie certeins\u003c\/li\u003e\n\u003cli\u003eAmis tout dous vis\u003c\/li\u003e\n\u003cli\u003eSe ma dame m'a guerpy\u003c\/li\u003e\n\u003cli\u003eSe je souspir\u003c\/li\u003e\n\u003cli\u003eDame se vous m'estés lointeinne\u003c\/li\u003e\n\u003cli\u003eQuant je sui mis au retour\u003c\/li\u003e\n\u003cli\u003eMes esperis se combat\u003c\/li\u003e\n\u003cli\u003eMa fin est mon commencement\u003c\/li\u003e\n\u003cli\u003eDouce dame jolie\u003c\/li\u003e\n\u003cli\u003eDe Machaut: De Bon Espoir \/ Puis que le douce rousee\u003c\/li\u003e\n\u003cli\u003eDe toutes flours\u003c\/li\u003e\n\u003cli\u003eQuant Theseus \/ Ne quier veoir\u003c\/li\u003e\n\u003cli\u003eLa Septime estampie Real\u003c\/li\u003e\n\u003cli\u003eQuant j'ay l'espart\u003c\/li\u003e\n\u003cli\u003ePhyton, le mervilleus serpent\u003c\/li\u003e\n\u003cli\u003eArmes amours \/ O flour des flours\u003c\/li\u003e\n\u003cli\u003eA l'arme a l'arme\u003c\/li\u003e\n\u003cli\u003ePhiton Phiton\u003c\/li\u003e\n\u003cli\u003eHe, tres doulz roussignoi \/ Ma tredol roussignoi\u003c\/li\u003e\n\u003cli\u003eFumeux fume\u003c\/li\u003e\n\u003cli\u003eDe home vray\u003c\/li\u003e\n\u003cli\u003eIstampitta Tre fontane\u003c\/li\u003e\n\u003cli\u003eMa douce amour\u003c\/li\u003e\n\u003cli\u003eTrés doulz amis \/ Ma dame \/ Cent mille fois\u003c\/li\u003e\n\u003cli\u003ePlasanche or tost\u003c\/li\u003e\n\u003cli\u003eAmour m'a le cuer mis en tel martire\u003c\/li\u003e\n\u003cli\u003eTribum quem\u003c\/li\u003e\n\u003cli\u003eHélas! je voy mon cuer\u003c\/li\u003e\n\u003cli\u003eContre le temps\u003c\/li\u003e\n\u003cli\u003eAndray soulet\u003c\/li\u003e\n\u003cli\u003eLa greygnour bien\u003c\/li\u003e\n\u003cli\u003eRestoés restorés\u003c\/li\u003e\n\u003cli\u003eCe moys de may\u003c\/li\u003e\n\u003cli\u003eLa belle se siet\u003c\/li\u003e\n\u003cli\u003eJe ne fai tousjours que penser\u003c\/li\u003e\n\u003cli\u003eChansons: Filles a marier\u003c\/li\u003e\n\u003cli\u003eAmoreux suy et me vient toute joye\u003c\/li\u003e\n\u003cli\u003eJe loe Amours et ma dame mercye\u003c\/li\u003e\n\u003cli\u003eNavré je sui d'un dart penetraitif\u003c\/li\u003e\n\u003cli\u003eLamentatio Sanctae Matris Ecclesiae Constantinopolitanae (O tres piteulx \/ Omnes amici)\u003c\/li\u003e\n\u003cli\u003eLa Spagna (Variant I)\u003c\/li\u003e\n\u003cli\u003ePar droit je puis bien complaindre\u003c\/li\u003e\n\u003cli\u003eDonnés l'assault\u003c\/li\u003e\n\u003cli\u003eVostre trés doulx regart\u003c\/li\u003e\n\u003cli\u003eHelas, mon dueil\u003c\/li\u003e\n\u003cli\u003eBien puist\u003c\/li\u003e\n\u003cli\u003eVergine bella\u003c\/li\u003e\n\u003cli\u003eLa Spagna (Variant II)\u003c\/li\u003e\n\u003cli\u003eHarpsichord Concerto No. 6 in F Major, BWV 1057: I. -\u003c\/li\u003e\n\u003cli\u003eHarpsichord Concerto No. 6 in F Major, BWV 1057: II. 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