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The project was conceived after Paul and Trevor worked together on a project at London's famous Ronnie Scott's Jazz Club, and the music was recorded at the legendary New York studio of Rudy Van Gelder with a specially assembled band of their favorite US musicians. For the drum chair, Trevor chose Billy Kilson, famed for his long association with Dave Holland, while Paul selected bassist Ike Sturm (Donny McCaslin) and pianist Jim Ridl (Kurt Elling, Joe Locke). Ryan Keberle contributes a third trombone to some of the sections to create a full, lush sound. 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Pairing Indian classical ragas with then-state-of-the-art Roland synthesizers and drum machines, Singh created an electronic masterpiece that was far ahead of it's time. Recording live at Mumbai's HMV studios, Singh married the past to the future-blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats. 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The album Patterns from Nature is an unashamedly ambitious showcase for his remarkable abilities as a composer and orchestrator, working within the space where the heartfelt collaborative improvisation of jazz meets the adventurous rigor of contemporary music and the depth and complexity of conceptual art. As composer, Nachoff created the closely written, intricately detailed scores for a pair of large-ensemble pieces. As bandleader, he oversaw the realisation of those scores by a hand-picked team of remarkable genre-crossing musicians, including pianist Matt Mitchell, percussionist Satoshi Takeishi, bassist Carlo de Rosa, clarinetist Francois Houle, trombonist Ryan Keberle, and the internationally renowned Molinari String Quartet, supported by a large chamber ensemble conducted by JC Sanford. 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We have taken great care in making this album what we believe to be our best yet, and we hope these songs are taken to people's hearts.\"\" The album is introduced by lead single Stand Together, a song that sets the tone for what follows. As Rick explains, it is \"\"a call to arms and a rallying cry for some kind of unity in the world we live in today.\"\" For a band that has already enjoyed a career most artists could only dream of, Shed Seven feels less like a victory lap and more like the start of another chapter. 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We have taken great care in making this album what we believe to be our best yet, and we hope these songs are taken to people's hearts.\"\" The album is introduced by lead single Stand Together, a song that sets the tone for what follows. As Rick explains, it is \"\"a call to arms and a rallying cry for some kind of unity in the world we live in today.\"\" For a band that has already enjoyed a career most artists could only dream of, Shed Seven feels less like a victory lap and more like the start of another chapter. 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We have taken great care in making this album what we believe to be our best yet, and we hope these songs are taken to people's hearts.\"\" The album is introduced by lead single Stand Together, a song that sets the tone for what follows. As Rick explains, it is \"\"a call to arms and a rallying cry for some kind of unity in the world we live in today.\"\" For a band that has already enjoyed a career most artists could only dream of, Shed Seven feels less like a victory lap and more like the start of another chapter. 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Op. 53: No. 6, Molto Allegro Vivace, MWV U154\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book V, Op. 62: No. 1, Andante Espressivo, MWV U185\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book V, Op. 62: No. 2, Allegro Con Fuoco, MWV U181\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book V, Op. 62: No. 3, Andante Maestoso, MWV U177 \"Trauermarsch\"\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book V, Op. 62: No. 4, Allegro Con Anima, MWV U175\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book V, Op. 62: No. 5, Andante Con Moto, MWV U151 \"Venetian Boat Song\"\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book V, Op. 62: No. 6, Allegretto Grazioso, MWV U161 \"Spring Song\"\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book VI, Op. 67: No. 1, Andante, MWV U180\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book VI, Op. 67: No. 2, Allegro Leggiero, MWV U145\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book VI, Op. 67: No. 3, Andante Tranquillo, MWV U102\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book VI, Op. 67: No. 4, Presto, MWV U182 \"Spinner's Song\"\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book VI, Op. 67: No. 5, Moderato, MWV U184\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book VI, Op. 67: No. 6, Allegro Non Troppo, MWV U188 \"Cradle Song\"\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book VII, Op. 85: No. 1, Andante Espressivo, MWV U150\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book VII, Op. 85: No. 2, Allegro Agitato, MWV U101\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book VII, Op. 85: No. 3, Presto, MWV U111\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book VII, Op. 85: No. 4, Andante Sostenuto, MWV U190\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book VII, Op. 85: No. 5, Allegretto, MWV U191\u003c\/li\u003e\n\u003cli\u003eSongs Without Words, Book VII, Op. 85: No. 6, Allegretto Con Moto, MWV 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