{"title":"FATHER JOHN MISTY","description":"","products":[{"product_id":"father-john-misty-greatish-hits-i-followed-my-dreams-and-my-dreams-said-to-crawl-lp","title":"FATHER JOHN MISTY - GREATISH HITS: I FOLLOWED MY DREAMS AND MY DREAMS SAID TO CRAWL (LP)","description":"\u003cdiv class=\"main-title col-md-12 hidden-xs\"\u003e\n\u003cul class=\"aec-product-title\"\u003e\n\u003cli class=\"aec-main-title\"\u003e\n\u003ch1\u003eGreatish Hits: I Followed My Dreams and My Dreams Said to Crawl\u003c\/h1\u003e\n\u003c\/li\u003e\n\u003cli class=\"aec-title-featurelist aec-main-desc\"\u003e(Colored Vinyl, Clear Vinyl, Blue, Green, Purple)\u003c\/li\u003e\n\u003cli class=\"aec-title-featurelist aec-main-artist\"\u003e\n\u003cspan\u003eArtist: \u003c\/span\u003eFather John Misty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan\u003e \u003c\/span\u003e\n\u003cul class=\"aec-product-title\"\u003e\n\u003cli class=\"aec-title-featurelist\"\u003e\n\u003cspan\u003eFormat: \u003c\/span\u003eLP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan\u003e \u003c\/span\u003e\n\u003cul class=\"aec-product-title\"\u003e\n\u003cli class=\"aec-title-featurelist\"\u003e\n\u003cspan\u003eRelease Date: \u003c\/span\u003e\u003cspan class=\"aec-title-date\"\u003e8\/16\/2024\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product-primaryinfo\" class=\"primaryinfo-holder col-md-8 col-xs-12\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eLabel:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eSub Pop\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eVendor:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eAlternative Distr. 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From “Mr. Tillman,” where he trains his lens on his own misadventure, to the cavernous pain of estrangement in “Please Don’t Die,” Tillman plays with perspective throughout to alternatingly hilarious and devastating effect. “We’re Only People (And There’s Not Much Anyone Can Do About That)” is a meditation on our inner lives and the limitations we experience in our attempts to give and receive love. It stands in solidarity with the title track, which examines the ironic relationship between forgiveness and sin. Together, these are songs that demand to know either real love or what comes after, and as the album progresses, that entreaty leads to discovering the latter’s true stakes. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGod's Favorite Customer was produced by Tillman and recorded with Jonathan Rado (Foxygen), Dave Cerminara (Jonathan Wilson, Foster the People, Conor Oberst), and Trevor Spencer (FJM). 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There’s a case to be made that it sounds and acts a bit like Scott Walker, Randy Newman, Harry Nilsson, and Dory Previn. The songs are a narration of my experience falling in love. My ambition was to address the sensuality of fear, the terrifying force of love, the unutterable pleasures of true intimacy, and the destruction of emotional and intellectual prisons with an imprint that is undeniably my own. 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This reliance takes on a few different names as their story unfolds, like “love,” “culture,” “family,” etc. Over time, and as their brains prove to be remarkably good at inventing meaning where there is none, the species becomes the purveyor of increasingly bizarre and sophisticated ironies. These ironies are designed to help cope with the species’ loathsome vulnerability and to try and reconcile how disproportionate their imagination is to the monotony of their existence. Something like that. Pure Comedy was recorded in 2016 at the legendary United Studios (Frank Sinatra, Ray Charles, Beck) in Hollywood, CA. 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This reliance takes on a few different names as their story unfolds, like “love,” “culture,” “family,” etc. Over time, and as their brains prove to be remarkably good at inventing meaning where there is none, the species becomes the purveyor of increasingly bizarre and sophisticated ironies. These ironies are designed to help cope with the species’ loathsome vulnerability and to try and reconcile how disproportionate their imagination is to the monotony of their existence. Something like that. Pure Comedy was recorded in 2016 at the legendary United Studios (Frank Sinatra, Ray Charles, Beck) in Hollywood, CA. It was produced by Father John Misty and Jonathan Wilson, with engineering by Misty’s longtime sound-person Trevor Spencer and orchestral arrangements by renowned composer\/double-bassist Gavin Bryars (known for extensive solo work, and work with Brian Eno, Tom Waits, Derek Bailey).\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePure Comedy\u003c\/li\u003e\n\u003cli\u003eTotal Entertainment Forever\u003c\/li\u003e\n\u003cli\u003eThings It Would Have Been Helpful to Know Before the Revolution\u003c\/li\u003e\n\u003cli\u003eBallad of the Dying Man\u003c\/li\u003e\n\u003cli\u003eBirdie\u003c\/li\u003e\n\u003cli\u003eLeaving LA\u003c\/li\u003e\n\u003cli\u003eA Bigger Paper Bag\u003c\/li\u003e\n\u003cli\u003eWhen the God of Love Returns There'll Be Hell to Pay\u003c\/li\u003e\n\u003cli\u003eSmoochie\u003c\/li\u003e\n\u003cli\u003eTwo Wildly Different Perspectives\u003c\/li\u003e\n\u003cli\u003eThe Memo\u003c\/li\u003e\n\u003cli\u003eSo I'm Growing Old on Magic Mountain\u003c\/li\u003e\n\u003cli\u003eIn Twenty Years or So\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787120028\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.7.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Squatch in the Pit","offers":[{"title":"Default Title","offer_id":47470757576957,"sku":"098787120028","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0337\/6889\/8692\/files\/3540946.jpg?v=1777336881"},{"product_id":"father-john-misty-josh-tillman-presents-fr-john-mistys-greatish-cd","title":"Father John Misty - Josh Tillman Presents: Fr. 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