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Adagio Di Molto\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D minor, Op. 47: III. Allegro Ma Non Tanto\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: I. Allegro Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: II. Scherzando\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: III. Intermezzo\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: IV. Andante\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: V. Rondo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: II. Andante\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro Energico\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: III. Presto\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: I. Allegro Maestoso\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: III. Presto\u003c\/li\u003e\n\u003cli\u003eRondo for Violin and Orchestra in B-Flat Major, K. 269\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: I. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: I. Allegro (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: II. Andante Cantabile (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: III. Rondeau - Andantino Grazioso - Allegro Ma Non Troppo (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": I. Allegro Aperto (Cadenza By Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": II. Adagio (Cadenza By Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": III. Rondeau. Tempo Di Menuetto - Allegro (Cadenza By Joachim)\u003c\/li\u003e\n\u003cli\u003eRondo for Violin and Orchestra in C Major, K. 373\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: I. Andantino\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: III. Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in G minor, Op. 63: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in G minor, Op. 63: II. Andante Assai\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in G minor, Op. 63: III. Allegro Ben Marcato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in a Minor, Op. 99: I. Nocturne. Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in a Minor, Op. 99: II. Scherzo. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in a Minor, Op. 99: III. Passacaglia. 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The 45 rpm reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out!' Myles Astor, Positive-Feedback Online, Issue 34Of everything Analogue Productions has reissued, few titles have sparked the accolades accorded our 45 RPM versions of Bill Evans titles from his Riverside catalog. Now, we're breaking the titles out from that terrific set for individual sale. These are the audiophile jazz fan's definitive releases for your collection! For jazz collectors, At Shelly's Manne-Hole isn't just another Bill Evans record - it's a landmark. This was Evans' final album for Riverside, the label that first brought his genius to light, and his last chapter in one of the most creative partnerships in modern jazz recording.Captured live at drummer Shelly Manne's famous Hollywood club in 1963, the album finds Evans in rare form - intimate, reflective, yet full of quiet fire. It's only the second time Riverside ever caught him in a live setting (the first being the legendary Village Vanguard sessions), and it documents a fleeting but brilliant trio: Evans with bassist Chuck Israels and drummer Larry Bunker.The sound is wonderfully alive - you can feel the room, the energy, the warmth of an audience hanging on every note. 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Incredible synthwork and analogue drums layered with danceable 2-step breaks and melodies take your mind exactly where you want to be.A2 - TerraformersSeminal synths and birdsong effects prepare us for an impossibly crisp breakbeat and 808 bassline to drive this track along, colored by a myriad of subtle blips and bleeps, delicately flecked across a detailed and optimistic soundscape. Very DJ-friendly from the first to the final bar, the purity of Chronicle's approach to atmospheric drum \u0026amp; bass is once again at it's best here on Spatial.B1 - Boundless SpacePlayful twittering birds, gentle hi-hats and panning synths introduce Boundless Space, a blissful, serene treat for the senses which soon kicks into flourishing life with the timeless Circles break. 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