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An artist who has been soundtracking dancefloors since the early 2000s, Lone made his production debut in 2008 with 'Lemurian', a hip-hop inspired release before moving into the vibrant future-facing soundscapes we have come to know. His back catalog ranges through house, rave, ambient, and electronica, and on 'Hyperphantasia', he sets himself the challenge to bring all of those influences together for one body of work that he describes 'like an album in my mind'. Referring back to the album title, the definition of 'hyperphantasia' is a condition characterized by exceptionally vivid and detailed mental imagery and for this album he tested himself to see how close he could get the music to sound exactly like what he was hearing in his imagination. On 'Hyperphantasia', Lone deepens his relationship with vocals. Having previously relied on vocal samples or more abstract live vocal treatments, this latest album marks a shift toward richer, more pop-leaning sensibilities. He makes a clear lyrical statement, enlisting a diverse and carefully chosen cast of collaborators: London-based artists and fellow Greco-Roman affiliates Ell Murphy and Lou Hayter, Barcelona's breakthrough singer Bikoko, cult Nottingham rapper Juga-Naut, and Hong Kong-born\/London-based musician Merry Lamb Lamb. Together, they contribute to what stands as a career-defining project. The end result is a cinematic experience exploding full of color. You are introduced to the album with an old school rave anthem 'Life Spark' and an interlude welcoming you into this musical world. Like chapters in a novel, the album ebbs and flows beautifully between stripped-back melodies 'Opening A Portal', 'Photographs That Don't Exist', 'Sickly, Sweetly, Summer Movie' and 'Fruit Rots, Water Flows Downstream', bubbling feel-good house 'Affinity (Cloud Four Four Mix)', 'Triton' and ' Wemove', the rap-influenced 'Throw The Ember' and epic future-pop tracks 'Miracle Mile', 'Big World', 'Scattergun' and 'Home'. The album ends with a full circle moment, back to the early hardcore and jungle rave scene, on 'Ascenscion. png'. Tracklisting:A1. Life SparkA2. (mind apple intro)A3. Affinity (Cloud Four Four Mix)A4. Opening a PortalA5. Miracle Mile (feat. Bikoko)B1. TritonB2. Photographs That Don't ExistB3. Throw The Ember (feat. Juga-Naut)B4. We Move (feat. Ell Murphy)C1. Big World (feat. Lou Hayter)C2. Waterfall ReverseC3. Sickly, Sweetly, Summer MovieD1. ScattergunD2. Home (feat. Merry Lamb Lamb)D3. Fruit Rots, Water Flows DownstreamD4. 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Pianist Ayham Hammour, long associated with Poland and a familiar presence on major stages throughout Europe and the Americas, brings Schumann's inner world vividly to life. With imagination and keen insight, Hammour uncovers not only the composer's profound dramatic voice, but also the sparkle of wit, lightness, and subtle irony that lies beneath the surface.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePiano Sonata No. 1 in F Sharp Minor, Op. 11~Introduzione. Un poco Adagio - Allegro vivace\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 1 in F Sharp Minor, Op. 11~Aria. Senza passione, ma espressivo\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 1 in F Sharp Minor, Op. 11~Scherzo e Intermezzo. Allegrissimo - Lento\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 1 in F Sharp Minor, Op. 11~Finale. 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Held. Isn't so much a beginning as it is a culmination. The post-hardcore trio's debut album, GREY, arrives fully realized, not as the tentativefirst step of newcomers, but as the collective fire of seasoned lifers discovering a new language together. It's the sound of raw instinct coalescing with earned wisdom.GREY doesn't announce itself so much as it emerges, inevitable and undeniable, like thunder rolling across a dark horizon. It's a force that feels eternal. Held.'s music feels elemental, evoking storms crashing against jagged cliffs or burning embers kindling, ready to reignite at any moment. It's urgent and relentless, yet also spacious,textured, and deeply human.There's gravity in every note, the kind that comes from survival turned into strength. Their sound is born of paradox: fiercely old-school in it's emphasis on live performance and feel, but modern in it's production and scope. Each song sounds both timeless and timely. Held. Is less a band than a force: fierce yet vulnerable, raw yet refined. They play as if the walls themselves are trembling, channeling a purity that feels rare in an age of algorithmic noise. Listening isn't consumption-it's recognition, like rediscovering something that's always been within you. Held. #carve out a place that feels both unshakably grounded and dangerously alive. It's more than music-it's an invocation, a reminder of the raw pulse that connects struggle to transcendence. 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They cut numerous sides for the label aided by the incredible production and arrangements of the infamous Gamble and Huff hit machine. 'Night Over Egypt' is surely one of their most enduring, evergreen tracks. As popular today with people as it was on it's 1981 release. A record that truly transcended genre boundaries and touched people from all walks of life and of all taste persuasions, it is a true soul classic. Often imitated yet never bettered! It's no wonder the 12' has always been sought after, sometimes commanding collector's prices on the used vinyl marketplace. The flipside 'Love Don't Ever Say Goodbye' is a sultry, Dexter Wansell-produced slow jam that ticks all the right boxes! One for the lovers out there, pure quiet storm business. This is a fully legit reissue, made in conjunction with Above Board Distribution and Sony Music, sourced from their vaults using original source material and remastered and repressed to the highest standard back in 2018 and featuring all original 1981 PIR label artwork. Now back on a 2026 repress!Here's your chance to own yet another essential stone cold classic from the archives! Tracklisting:A. Nights Over Egypt B. 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The result is stunning. Never losing it's course, this odyssey transcends boundaries and carries us along the discovery of a new river with countless meanders. Here we feel the heat of the tropics, the embodied power of musical traditions, and the sweat of European dancefloors in a unique cocktail-quickly addictive, sometimes introspective, and irresistibly danceable. Born from the encounter between Canalón de Timbiquí-the Colombian group founded by maestra Nidia Góngora, whose mesmerizing, instantly recognizable voice has graced projects such as Quantic, Ondatrópica, and The Bongo Hop-and the Toulouse-based trio Reco Reco, passionate explorers of trance-inducing music, especially from South America, the Nuevos Ríos project traces it's origins back to the banks of the Timbiquí River. Far from the beaten path, at the heart of Colombia's Pacific region, the two groups came together naturally in the village of Timbiquí, the very roots of Canalón's music and of Nidia Góngora herself. Through a series of improvised jam sessions in the ground floor of Nidia's home, the hybridization of their music became an obvious path-born from a shared desire to reveal to attentive listeners the strength of this human and musical encounter. This first chapter, released on ZZK Records-a label renowned for uncovering South American gems (Son Rompe Pera, Nicola Cruz, La Yegros...)-is carried by the singular writing and timbre of Nidia Góngora. Across the tracks, each element of the ensemble finds it's rightful place: the power of Colombian Pacific percussion and the poetry of the marimba de chonta catch us around a savory guitar riff never far from West Africa; the strength of the voices is heightened by layers of electronic textures; while drums interlock with bass keys to provide a double engine for the eponymous vessel, Nuevos Ríos. The lyrics tell of a daily life always close to nature, around a river that is both a central artery and a channel of exchange-without shying away from the harsh realities of a region scarred by Colombia's internal conflicts. 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