{"title":"Recently Added In-Stock Vinyl","description":"\u003cp\u003eThe Freshest of the Fresh!\u003c\/p\u003e\n\u003cp\u003eAvailable to order directly to your doorstep!\u003c\/p\u003e","products":[{"product_id":"cameron-winter-heavy-metal-colored-vinyl-slv","title":"Cameron Winter - Heavy Metal [Colored Vinyl] (Slv)","description":"\u003cp\u003eLimited silver colored vinyl LP pressing.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRolling Stones\u003c\/li\u003e\n\u003cli\u003eNausicaä (Love Will Be Revealed)\u003c\/li\u003e\n\u003cli\u003eLove Takes Miles\u003c\/li\u003e\n\u003cli\u003eDrinking Age\u003c\/li\u003e\n\u003cli\u003eCancer of the Skull\u003c\/li\u003e\n\u003cli\u003eTry as I May\u003c\/li\u003e\n\u003cli\u003eWe're Thinking the Same Thing\u003c\/li\u003e\n\u003cli\u003eNina + Field of Cops\u003c\/li\u003e\n\u003cli\u003e$0\u003c\/li\u003e\n\u003cli\u003eCan't Keep Anything\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5400863170660\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Partisan Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.6.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Squatch in the Pit","offers":[{"title":"Default Title","offer_id":47364210098429,"sku":"5400863170660","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0337\/6889\/8692\/files\/4384847-3320411.jpg?v=1775755507"},{"product_id":"harry-styles-kiss-all-the-time-disco-occasionally-lp","title":"Harry Styles - Kiss All The Time. 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An artist who has been soundtracking dancefloors since the early 2000s, Lone made his production debut in 2008 with 'Lemurian', a hip-hop inspired release before moving into the vibrant future-facing soundscapes we have come to know. His back catalog ranges through house, rave, ambient, and electronica, and on 'Hyperphantasia', he sets himself the challenge to bring all of those influences together for one body of work that he describes 'like an album in my mind'. Referring back to the album title, the definition of 'hyperphantasia' is a condition characterized by exceptionally vivid and detailed mental imagery and for this album he tested himself to see how close he could get the music to sound exactly like what he was hearing in his imagination. On 'Hyperphantasia', Lone deepens his relationship with vocals. Having previously relied on vocal samples or more abstract live vocal treatments, this latest album marks a shift toward richer, more pop-leaning sensibilities. 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The trailblazing Toronto outfit was founded by songwriting and production partners Emily Haines and Jimmy Shaw, along with bandmates Joshua Winstead and Joules Scott Key. Though both were also founding members of the influential and sprawling Canadian indie rock outfit Broken Social Scene, Metric was always the top priority, and shortly after they met and cemented their mission, they left Toronto for New York in search of like-minded artists. There, they found themselves at the center of the city’s burgeoning indie sleaze scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol.\u003c\/p\u003e\u003cp\u003eTheir 10th studio album Romanticize The Dive harkens back to the free spirit of that era, kicking off with Haines nostalgically imploring the listener to “let me take you back, it was the start of something...” before pulling back the curtain on a band that has consistently stayed true to each other and their ethics for decades. 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Recorded in Gothenburg, Sweden All Our Gods... is the heaviest and darkest work to which - frontman Sam Carter, bassist Ali Dean, guitarists Adam Christianson and Tom Searle, and the latter's twin brother drummer, Dan Searle have ever put their name to, both on and below it's surface. It is an album that challenges and progresses a genre long thought to have stagnated, and embraces it's inspirations at a time when many rock and metal bands seek to hide them in search of mainstream acceptance. It is also born from considered minds filled not by thoughts of being the biggest band in the world, but of making a difference. Architects are, for that reason, a band like few others; they are five young men who stand for something, and who possess an intelligence, awareness and spirit that inform the very fiber of their band. The quintet all practice a vegan lifestyle, tour with a consciousness about their footprint on the world, and who devote time and energies to environmental causes. 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The German producer, DJ, and global household name Tino Pointek, AKA Purple Disco Machine, is the blueprint for what makes a successful dance music artist in the modern age; respected on the underground scene while achieving major crossover success with remixes for the likes of Sir Elton John, Dua Lipa, and Mark Ronson. The crate digging kingpin of house and disco first landed on Defected over a decade ago, and has since delivered remixes of iconic tracks like Fatboy Slim's 'Praise You' and the London label's top tracks including Shakedown's 'At Night' and 'Coma Cat' by Tensnake - as well as striking originals like 'Beat Fantasy'. From edits of the classics to remixes of the modern, as well as uplifting originals, Purple Disco Machine has birthed a distinct sound that is instantly recognizable, one that is not afraid to reference or not reference and is always bursting with joy. 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Effortless, melodic, and irresistibly smooth, Breezin' became the soundtrack to an era and the album that launched Benson into crossover superstardom.With timeless hits such as 'This Masquerade' and the sunlit title track, Breezin', Benson's 15th album, bridges the worlds of jazz, pop, and R\u0026amp;B with rare grace. It not only was a Billboard Jazz Albums chart-topper but also went to No. 1 on the pop and R\u0026amp;B charts. It was certified triple platinum-selling, making it one of the best-selling jazz albums of all time.The record took home Grammy Awards for Best Pop Instrumental Performance and Record of the Year for 'This Masquerade,' while earning multiple nominations, including for Album and Song of the Year - an unprecedented feat for a jazz guitarist.Now, this classic shines brighter than ever. Mastered at 45 RPM by Matthew Lutthans at The Mastering Lab and pressed on flat, ultra-quiet vinyl by Quality Record Pressings, this edition reveals new layers of warmth, depth, and presence in Benson's silky tone and fellow rhythm and bass guitarist Phil Upchurch's signature groove.Breezin' isn't just a smooth jazz cornerstone - it's one of the most impeccably crafted and influential albums of it's time. For collectors, audiophiles, and anyone who loves music that feels like pure sunlight, this definitive 45 RPM reissue is essential listening.Part of the Acoustic Sounds 40 SeriesReleasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds!Mastered by Matthew Lutthans at The Mastering Lab from the original master tape180-gram 45 RPM double LP pressed at Quality Record PressingsHoused in a Stoughton Printing tip-on gatefold jacketTracklist:LP 1 Side A1. Breezin'LP 1 Side B1. This Masquerade2. Six To FourLP 2 Side A1. AffirmationLP 2 Side B1. So This Is Love?2. 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Backed by the Sawdusters-Shelley Anderson on bass and Chase Palmer on drums-the trio has built it's reputation through relentless touring across the U.S. and Europe and a steady run of records grounded in narrative songwriting and grit. Their latest album, Apparition, pivots toward a more direct, visceral sound. Recorded in Louisville, the record opens with the kinetic instrumental \"Reckless\" before diving into propulsive alt-country on \"Revenge,\" a gospel-tinged meditation on temptation and consequence. Elsewhere, \"All Downhill From Here\" blends Midwestern twang with New Orleans funk, while the eerie \"Scratching at Your Back Door\" leans into the tension between classic murder ballads and modern true-crime obsession. Songs like \"Out in the Cold\" and \"Black Dad \/ White Mom\" anchor the album in history and autobiography, balancing tradition with lived experience. With Apparition, Nick Dittmeier and the Sawdusters deliver their most direct and confident album yet, an electrifying account of real lives and long miles.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eReckless\u003c\/li\u003e\n\u003cli\u003eRevenge\u003c\/li\u003e\n\u003cli\u003eAll Downhill from Here\u003c\/li\u003e\n\u003cli\u003eScratching at Your Back Door\u003c\/li\u003e\n\u003cli\u003eBlack Dad\/White Mom\u003c\/li\u003e\n\u003cli\u003eApparition\u003c\/li\u003e\n\u003cli\u003eHurt You\u003c\/li\u003e\n\u003cli\u003eOut in the Cold\u003c\/li\u003e\n\u003cli\u003eWasting My Time\u003c\/li\u003e\n\u003cli\u003eRunning Away\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 601527240872\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sofaburn Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.8.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Squatch in the Pit","offers":[{"title":"Default Title","offer_id":47384800428285,"sku":"601527240872","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0337\/6889\/8692\/files\/4491180-3522333.jpg?v=1776177278"},{"product_id":"preorder-eaves-wilder-little-miss-sunshine-yellow-orange-ecomix","title":"Eaves Wilder - Little Miss Sunshine [Yellow \u0026 Orange Ecomix]","description":"\u003cp\u003eLittle Miss Sunshine marks a stellar evolutionary leap for North London singer-songwriter Eaves Wilder who first came to attention back in 2020, aged 16, with her self-recorded lockdown release Won’t You Be Happy. Eaves began working on Little Miss Sunshine after a period of reflection which saw her question whether she could ultimately do justice to the music in her head.\u003c\/p\u003e\u003cp\u003eTime spent with the record will reveal ten songs that look to the cycles of nature to explain and celebrate the emotional weather that makes us human. “At my lowest,” recalls Eaves, who at one point even laughs as she recalls how she resolved to give up music altogether with a view to entering a convent: “I just wanted to be unhuman, unfeeling and unmoved. Like a mountain or a tree. Or the sky. These are all things that have a purpose but I didn’t know what my purpose was. And so what I had to was figure it out, song by song.”\u003c\/p\u003e\u003cp\u003eOn Little Miss Sunshine, it’s a story told in thrilling installments, from the opening seconds of the album’s sonic establishing shot and lead single 'Hurricane Girl', a sensational synergy of diaphanous shoegaze harmonies and elemental rock guitars inspired by watching documentaries about storm chasers, using the metaphor to shine a light on friends who have been compelled to seek out tempestuous relationships. “I feel like this is my Pearl Jam song,” she explains, “The first time I ever listened to Pearl Jam. I was up this huge mountain in Wales. In the same week, I also heard Jagged Little Pill by Alanis Morissette for the first time.”\u003c\/p\u003e\u003cp\u003eFrom here, right through to its achingly evocative requiem to childhood 'Summer Rolls', each song on Little Miss Sunshine acts as shining a co-ordinate in an arc of self-discovery. There’s the soaring sonic skyburst of the album’s first release 'Everybody Talks', with its rising crescendo of intrusive voices, which gained widespread radio support on both sides of the Atlantic. For 'Mountain Sized', she referenced Lily Allen’s 2009 single 'The Fear' – “because you’ve got this one woman casually listing all the worst things about herself, the kind of stuff you should be too embarrassed to admit.” However, on Eaves’ song, this fomenting anxiety is obliterated by a panoramic chorus which sees her smash through the membrane of her real-world restrictions in order to declare, “But in my mind\/But in my mind\/I am taller than the highest mountain sides.”\u003c\/p\u003e\u003cp\u003eThe achingly mellifluous 'The Great Plains' sees Eaves interrogating her earliest memories spent idolizing her older sister Dora. “She was so demure and mermaid-like,” recalls Eaves, “and I was ruled by my emotions – and the harder I tried not to be, the more I realized I could never be like her.” In the song, self-acceptance of sorts comes as Eaves looks to the natural world to tell her what it’s ok to be: “As I erupt into a blaze \/It’s ok the sky will do the same\/Let no-one bat an eye when \/Every year I’ll hibernate till May\/Because no-one blames the clouds for rain\/So take me as I am, tears down my face.”\u003c\/p\u003e\u003cp\u003eAs the sessions gathered momentum, Eaves found drew inspiration from contemporaneous releases. 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