{"title":"SUKI WATERHOUSE","description":"","products":[{"product_id":"preorder-suki-waterhouse-memoir-of-a-sparklemuffin-pearl","title":"SUKI WATERHOUSE- Memoir of a Sparklemuffin - Pearl","description":"\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cp\u003eLoser Edition on sparklemuffin pearl vinyl. Suki Waterhouse's music sounds like a collage of her inspirations, experiences, and emotions stitched together by honeyed vocal delivery, bright-eyed melodies, and evocative storytelling. It doubles as a mirror image of her life as a consummate creative, artist, actress, model, and mother, yet it also breaks the glass to unveil raw truth. She leans on an ever-evolving sonic palette to convey what she's feeling-whether it be folky Americana, nineties alternative, turn-of-the-century indie, or handcrafted otherworldly pop. You'll hear Suki's longing in a swooning chorus, fearlessness in a crunchy chord, elation in a danceable waltz, and wonder in a soft coo befitting of a lullaby. She faithfully followed a lifelong passion for music to her 2022 full-length debut, I Can't Let Go. Adorned by \"Moves\" and \"Melrose Meltdown,\" it incited widespread critical applause from Variety, Nylon, NME, The Line of Best Fit, and more. Between headlining shows and touring with Father John Misty, \"Good Looking\" surged online, generating nearly a billion streams, going RIAA platinum, and paving the way for the Milk Teeth EP. Simultaneously, she absorbed inspiration from a season of change earmarked by unforgettable moments a la gracing the stage of Lollapalooza 2023, performing on multiple continents, becoming a mom, and closing out the Gobi Tent at Coachella in 2024. Everything just set the stage for the gold-certified songstress to assert herself as a versatile, vibrant, and vital presence on her 2024 double-LP, Memoir of a Sparklemuffin.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"main-title col-md-12 hidden-xs\"\u003e\n\u003cul class=\"aec-product-title\"\u003e\n\u003cli class=\"aec-main-title\"\u003e\n\u003ch1\u003eMemoir of a Sparklemuffin - Pearl\u003c\/h1\u003e\n\u003c\/li\u003e\n\u003cli class=\"aec-title-featurelist aec-main-desc\"\u003e(Colored Vinyl)\u003c\/li\u003e\n\u003cli class=\"aec-title-featurelist aec-main-artist\"\u003e\n\u003cspan\u003eArtist: \u003c\/span\u003eSuki Waterhouse\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan\u003e \u003c\/span\u003e\n\u003cul class=\"aec-product-title\"\u003e\n\u003cli class=\"aec-title-featurelist\"\u003e\n\u003cspan\u003eFormat: \u003c\/span\u003eLP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan\u003e \u003c\/span\u003e\n\u003cul class=\"aec-product-title\"\u003e\n\u003cli class=\"aec-title-featurelist\"\u003e\n\u003cspan\u003eRelease Date: \u003c\/span\u003e\u003cspan class=\"aec-title-date\"\u003e9\/13\/2024\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product-primaryinfo\" class=\"primaryinfo-holder col-md-8 col-xs-12\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eLABEL:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eSub Pop\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eVENDOR:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eAlternative Distr. 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Nylon hailed her debut \"Brutally\" as \"what a Lana Del Rey deep cut mixed with Joni Mitchell's 'Both Sides, Now' would sound like.\" In addition to raves from Garage by Vice and Lemonade Magazine, DUJOR put it best, \"Suki Waterhouse's music has swagger.\" Constantly consuming artists of all stripes, she listened to the likes of Sharon Van Etten, Valerie June, Garbage, Frazey Ford, Lou Doillon, and Lucinda Williams. In late 2020, she finally dove into making what would become her full-length debut album, I Can't Let Go [Sub Pop Records] with producer Brad Cook [Snail Mail, Waxahatchee]. Now, she introduces this chapter with \"Moves\" and \"My Mind.\" Her first album for Sub Pop, I Can't Let Go, produced by Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee) and released in May of 2022, is a testament to her powers as a singer and songwriter. 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We trace where we've been and reveal where we're going. However, Suki Waterhouse catalogs the most intimate, formative, and significant moments of her life through songs. You might recognize her name or her work as singer, songwriter, actress but you'll really get to know the multi-faceted artist through her music. Memories of unrequited love, fits of longing, instances of anxiety, and unfiltered snapshots interlock like puzzle pieces into a mosaic of well-worn country, '90s-style alternative, and unassuming pop. She writes the kind of tunes meant to be grafted onto dusty old vinyl from your favorite vintage record store, yet perfect for a sun-soaked festival stage. Her first album for Sub Pop, I Can't Let Go, is a testament to her powers as a singer and songwriter. In Suki's words: \"The album is called I Can't Let Go because for years it felt like I was wearing heavy moments on my sleeve and it just didn't make sense to do so anymore. There's so much that I've never spoken about. Writing music has always been where it felt safe to do so. Every song for the record was a necessity. In many ways, I've been observing my life as an outsider, even when I've been on the inside. It's like I was a visitor watching things happen.\" Growing up in London, Suki gravitated towards music's magnetic pull. She listened to the likes of Alanis Morissette and Fiona Apple, and Oasis held a special place in her heart. She initially teased out this facet of her creativity with a series of singles, generating nearly 20 million total streams independently. Nylon hailed her debut track, \"Brutally,\" as \"what a Lana Del Rey deep cut mixed with Joni Mitchell's 'Both Sides, Now' would sound like.\" In addition to raves from Garage, Vice and Lemonade Magazine, DUJOR put it best: \"Suki Waterhouse's music has swagger.\" Suki is constantly consuming artists of all stripes, and, in the lead-up to making I Can't Let Go, she was particularly drawn to the work of Sharon Van Etten, Valerie June, Garbage, Frazey Ford, Lou Doillon, and Lucinda Williams. After falling in love with Hiss Golden Messenger's Terms of Surrender, she reached out to it's producer Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee) to help define the sound of I Can't Let Go. On I Can't Let Go, Suki not only catalogs her life up to this point, but she also fulfills a lifelong ambition. \"When I've been stuck or feel out of touch with a sense of inner meaning and outer purpose, I've found both through searching my memories and finding those events buried in the shadowy areas of the psyche where they were ignored,\" she says. \"So many times of change in my life have required return visits-especially at the transitions through to the next stages. The album is an exploration of those moments when there is nothing left to lose. 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We trace where we've been and reveal where we're going. However, Suki Waterhouse catalogs the most intimate, formative, and significant moments of her life through songs. You might recognize her name or her work as singer, songwriter, actress but you'll really get to know the multi-faceted artist through her music. Memories of unrequited love, fits of longing, instances of anxiety, and unfiltered snapshots interlock like puzzle pieces into a mosaic of well-worn country, '90s-style alternative, and unassuming pop. She writes the kind of tunes meant to be grafted onto dusty old vinyl from your favorite vintage record store, yet perfect for a sun-soaked festival stage. Her first album for Sub Pop, I Can't Let Go, is a testament to her powers as a singer and songwriter. In Suki's words: \"The album is called I Can't Let Go because for years it felt like I was wearing heavy moments on my sleeve and it just didn't make sense to do so anymore. There's so much that I've never spoken about. Writing music has always been where it felt safe to do so. Every song for the record was a necessity. In many ways, I've been observing my life as an outsider, even when I've been on the inside. It's like I was a visitor watching things happen.\" Growing up in London, Suki gravitated towards music's magnetic pull. She listened to the likes of Alanis Morissette and Fiona Apple, and Oasis held a special place in her heart. She initially teased out this facet of her creativity with a series of singles, generating nearly 20 million total streams independently. 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Featuring 14 new songs and co-written with some of music's brightest luminaries, including Amy Allen, Aaron Dessner, Joel Little, Dan Wilson, Jules Apollinaire, and Natalie Findlay. Loveland charts the tender distance between who we were and who we are becoming – a meditation on identity, motherhood, and the quiet pull toward something truer. 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